All posts by Alexander V Woods

Top 10 Cyberpunk movies you should watch in 2022

Top 10 Cyberpunk Movies You Should Watch in 2022

Every day our world feels more Cyberpunk, with news about the Metaverse from what was previously known as Facebook, self-driving Tesla trucks, drones becoming an everyday household gadget, and Boston Dynamics robots preparing to take over the world.

It’s difficult to make sense of it all, but fortunately, with Cyberpunk media we can have a little help in that regard. You could of course go back to the classics, or watch your cyberpunk content religiously according to our recommended 3 eras of Cyberpunk in our beginner’s guide. But if you want to watch the best modern Cyberpunk movies, to help you make sense of what a metaverse would really look like (or shouldn’t look like), I’ve created a list of the Top 10 Cyberpunk Movies You Should Watch in 2022. This list goes in ascending order of importance, if you haven’t seen one of these movies yet, then maybe you should! So without further ado, let’s get right into it.

10. Elysium

Elysium is the tale of a utopian society living on a ring orbiting earth, featuring Matt Damon as a lowly assembly line worker whose life is upended when he gets exposed to a lethal dose of radiation. This sets into motion a plot to overthrow the current state of power involving gangs, body augmentations, advanced medical bays, and much more. It’s a classic Cyberpunk tale that is woefully underappreciated, without much cultural impact but an excellent movie nonetheless, and thus merits being in our modern top 10.

9. Tron: Legacy (2010)

A sequel to the original Tron which was a groundbreaking film in its time but now would seem rather dated in comparison to today’s graphics, Tron: Legacy does an excellent job upgrading the story to today’s visual effects potential, while also continuing the Tron story. While the story isn’t anything groundbreaking and isn’t your average megacorporation tale (almost the entire film is set in virtual reality), what you really should see this movie for is its breathtaking visuals and music soundtrack. Directed by Joseph Kosinski, who did the equally visually stunning Sci-Fi flick Oblivion, Tron: Legacy would inspire a visual style for years to come, with its minimalist yet modern black and whites lined with neon blues and oranges, especially with the costume design which are incredible. I mean, just take a look at these images. Each one could be a poster in its own right.

As for the soundtrack, it was composed by none other than the authentically classic cyberpunk electro-duo Daft Punk, one of their last albums before they sadly disbanded in 2021. They even have a cameo in the film as themselves DJ-ing in a club scene.

8. Total Recall (2012)

Total Recall (2012) is a modernized remake of the classic Paul Verhoeven cyberpunk film with Arnold Schwarzenegger from 1990. Based on Philip K Dick’s short story We Can Remember It For You Wholesale, this modernization is directed by Len Wiseman and features Colin Farrell, Kate Beckinsale, Jessica Biel, and Bryan Cranston. Although it failed to replicate the success of its predecessors and has in my opinion a bloated ending, it has beautiful visuals, a fast pace and some excellent action scenes. It also modernizes the classic story and gives us some ideas of what new tech in a modernized urban city might look like, such as hologram hand-phones and personal cars on rails.

7. Robocop (2014)

Another modernized remake of yet another classic Paul Verhoeven cyberpunk film from 1987, this version is directed by Jose Padilha with Joel Kinnaman (Altered Carbon) as the title character, with supporting actors Gary Oldman, Michael Keaton, and Samuel L Jackson. Yet another remake that couldn’t replicate its original success, this film once again modernized the tale with a particular focus on the police force aspect and what future body augmentations and cyborg-ization could look like. It’s also a fun tale with great action scenes, although the plot may seem a little simple at times.

6. Alita: Battle Angel

Alita: Battle Angel is the live action remake of the 1993 Anime film, which was based on the manga Battle Angel Alita (Gunnm) from Yukito Kishiro. Directed by Robert Rodriguez (Sin City, From Dusk Til Dawn) it stars Christoph Waltz, Jennifer Connelly, Mahershala Ali, and Rosa Salazar as Alita. While the movie may not have as much immediate significance or warning for our modern-day society, the visuals, special effects, and brilliance of this imagined world are what makes this film great. They pack so many little fascinating things in the streets of Iron City.

Almost every single person is sporting a body augmentation of some sort: metal arm, metal leg, metal eye, everything with its own uses and often looking cobbled together–which it probably was. Iron City is where the poor live, underneath a floating rich city called Zalem. But unlike many of the typical Cyberpunk world set in constant rain with neon lights, many of the scenes in Iron City feature bright, harsh light, in addition to scenes set at night. The story follows cybernetic engineer Dr. Dyson Ido who finds Alita’s head (as a disembodied cyborg with an intact human brain) in a scrap heap, and is able to put her back together again, of sorts. With no memory of who she is, she tries to learn about her past as she also discovers a love for the brutal sport of Rollerball. Alita: Battle Angel is fast-paced, touching action story that is definitely a Cyberpunk must-see.

5. Upgrade (2018)

Upgrade is in the top 5 must-see Cyberpunk films of this top-10 list because of how close the technology is to what we have in present day, how recently it was done, how incredibly Cyberpunk it was and how fun and cool it was. It’s also probably flown under the radar for most, I mean it wasn’t a culture-shifting megahit, it was just a great sci-fi film. Directed by Leigh Whannell and starring Logan Marshall-Green (who looks like Tom Hardy but isn’t), Logan stars as Grey Trace, a technophobic auto mechanic who has a horrible accident which leaves him paralyzed. Set in a distant but not too distant future where society has self-driving cars (like Teslas, only cooler) and drones (again, like what we have, only cooler), the film does a good job showing what a future society might be like with technophobic people resisting the tech industry’s endless product delivery system.

It also has some casual super-cyberpunk scenes, like this one where people are lost in a VR world, disconnected from the real world, except they’re just there in the background and not at all important to the main story (Metaverse, Ready Player One anyone?). The other reason why I love this film so much is because the viewers can really relate to the main character. Logan Marshall-Green gives an amazing performance, especially when the chip he’s implanted with to help him regain mobility starts taking control of his body to give him action moves he wouldn’t normally otherwise have. The director then combines this insane situation with camera-twisting scenes and you have beautiful, incredibly novel action sequences that would give even the original Matrix a run for its money in terms of originality. Don’t believe me? Just watch the trailer.

Oh and keep an eye out for the henchman with a handgun. No, not that handgun. An actual gun. In his hand. If that’s not cyberpunk, nothing is.

4. Ghost in the Shell (2017)

No top 5 cyberpunk list would be complete without a Ghost in the Shell film, and if you’re talking modern films, then you have to include this 2017 live action adaptation of the classic. Starring Scarlett Johannsen of all people to play the role of the Major (her casting was somewhat controversial) as the cyborg investigative super soldier who investigates her past while trying to find the line between human and android. This film was directed by Rupert Sanders and mostly follows what happens in the original anime film, with some small differences. It has a great visual style and cinematography, and some great action scenes and special effects, but drew some criticism for not having a deeper story or character development. If you think of Cyberpunk, however, chances are the first thing that’ll come to mind is Ghost in the Shell or Blade Runner. Speaking of which…

3. Blade Runner 2049

Most people who know anything about Cyberpunk would say the genre all started from the combination of one book and one movie. That book was William Gibson’s Neuromancer, and the movie was Ridley Scott’s Blade Runner. So it should come as no surprise that Blade Runner 2049 came in at the top 5, with spot #3. This movie has some of the most iconic, breathtaking visuals directed this time around by Denis Villeneuve (Dune, Arrival). Harrison Ford came back to reprise his iconic role of Rick Deckard, but the main character for this sequel is K, a replicant Blade Runner played by Ryan Gosling who has to uncover a mysterious secret that may threaten all civilization. This movie, along with most of Villeneuve’s films, is really one to see in the theaters. One of my favorite Cyberpunk visuals of all time is also in this film, where K is talking to a hologram AI companion, Joi (played by Ana de Armas). The pacing is a slow burn and the movie is a little long, but for those who liked the original Blade Runner and loves a good sci-fi mystery thriller, this is definitely a cyberpunk film you should watch for 2022.

2. Ready Player One

Some might be surprised that Ready Player One merited second place in this top 10 list of Cyberpunk films you should watch in 2022. Indeed, it might have been relegated to spot 5 or 6, if it weren’t for what happened on October 28th, 2021. Because on that day, Mark Zuckerberg announced his plans for the Metaverse (which was originally coined as a virtual reality world by Neal Stephenson in his Cyberpunk novel Snowcrash) and for Facebook to be rebranded as Meta.

What this meant was that Facebook then started firing and changing job descriptions, as thousands of their employees had to adapt to the change to start working towards Zuckerberg’s fantasy to become a reality. It wasn’t long before other businesses started to follow suit, wanting to be the early movers in investing in this new technology and the VR real estate that would exist in the metaverse. Governments around the world will have to decide how to regulate this new Metaverse, which (hopefully) means that they need to understand it. So how can they, and the general public, make sense of this VR world? Well, Ready Player One paints a pretty darn realistic picture of what it might look like, which is why it’s so high up on this list.

Remember, when you were in VR during the COVID lockdowns, Wade Watts did it first.

Ready Player One is the live action adaptation of the novel of the same name by Ernest Cline. While both the movie and the book are definitely Cyberpunk, it’s more a fan love letter to video games and pop culture from the 1970s and 1980s. Directed by Steven Spielberg, if you can believe it, the story follows Wade Watts (Tye Sheridan) who lives in a stack of motor homes in Ohio in a world where the majority of the population live their lives in a virtual reality called the Oasis.

The Oasis (Ready Player One)

Not only do people play games and socialize here, but they also go to school and shop here as well. When the creator of the Oasis dies, he begins a massive easter egg hunt in the Oasis with his will, declaring that whomever finds this hidden easter egg will gain the majority of shares and a huge amount of money. It’s a race against time as Wade teams up with four others against an evil corporation who wants the Oasis for themselves.

1. The Matrix Resurrections (and the Matrix Trilogy)

The Matrix trilogy was, in my opinion, some of the best cyberpunk content ever made. So it should be no surprise that the fourth installment made first place in this modern Cyberpunk list. While Matrix Resurrections is admittedly less of a “stereotypical cyberpunk” like total recall or blade runner, it brought modern issues and ideas, while also providing us with relevant questions for our modern day society. It also was incredibly controversial and divisive, with some people loving it, some people hating it, and very few in between.

Despite the fact that it’s objectively not perfect, everyone started talking about the return of Keanu Reeves and Carrie-Anne Moss to the franchise, and therefore it’s a must-see for any modern cyberpunk list. Having come out in December 2021, it’s also quite literally the latest Cyberpunk film to come out in theaters around the world.

Matrix Resurrections is the tale of Neo, AKA Thomas Anderson, who finds himself somehow alive but without memories of his previous life. Meanwhile, a team of humans in the real world discover Neo in the matrix after decades of fruitless searching, and attempt once again to bring him out of the matrix into the real world again. This leads to a perilous journey between neo, the humans, and the machines as a mysterious evil entity in the matrix tries to stop him from finding Trinity, and from leaving altogether.

Matrix Resurrections is also an incredibly meta movie, which is constantly referencing things that happened in the previous trilogy, as well as the trilogy itself (which in Matrix Resurrections is known as just a video game). As a result we can see scenes, toys, and even busts of characters from the previous trilogy in the movie itself. It results in a very funny, yet trippy, experience.

Top 10 Cyberpunk Movies You Should Watch in 2022:

  1.  The Matrix Resurrections
  2. Ready Player One
  3. Blade Runner 2049
  4. Ghost in the Shell (2017)
  5. Upgrade
  6. Alita: Battle Angel
  7. Robocop
  8. Total Recall
  9. Tron: Legacy
  10. Elysium

So that’s our top 10 list! What do you think of the list, and do you think there should be any movies included that we didn’t include, or any movies we included that shouldn’t have made the cut? Let us know in the comments below.

And as always, if you liked what you read and want to help the Cyberpunk Matrix going, you can show your support over on Ko-Fi. Help contribute to the costs of website upkeep, or simply buy me a simulatte. https://ko-fi.com/cyberpunkmatrix

The Cyberpunk Matrix Podcast | Ep 6: Reviewing Matrix Resurrections

Cyberpunk Matrix Podcast Ep 6: Matrix Resurrections Review

Welcome to the Cyberpunk Matrix podcast with your host and operator, Alex. Today on the show we have a complete newcomer to the Cyberpunk genre, Helena Woods, who also happens to be my wife. She is currently living abroad with me in France, where she is creating videos on YouTube about presence, joy, and culture. In addition to being a top-notch videographer, she is also a writer, photographer, artist, consultant, and content creator. For more from Helena Woods and all that she does, you can check out her website at www.helenawoods.com. You can also find her main YouTube channel here and her secondary channel here, as well as her Instagram @mshelenawoods.

Join us as we give a spoiler-filled in-depth review of The Matrix Resurrections

We discuss:

-themes in the Matrix, and Matrix Resurrections

-our favorite and less favorite actors from the movie

-acting, dialogue, and performances

-action sequences

-understanding the plot

-general newbie questions about the matrix

-musical scoring of the film

-social commentary the film makes on our society

-and much more.

The podcast is available below on YouTube, or you can listen to it on Anchor and Spotify.

And as always, if you liked what you read and want to help the Cyberpunk Matrix going, you can show your support over on Ko-Fi. Help contribute to the costs of website upkeep, or simply buy me a simulatte. https://ko-fi.com/cyberpunkmatrix

Cyberpunk Review: The New Prometheus (Andrew Dobell)

 

The New Prometheus: A fast-paced Cyberpunk thriller

The New Prometheus is the first novel of the 5-book series of the same name by Andrew Dobell, a Cyberpunk series starring Frankie, an unwilling cyborg who wakes up one day with a human brain and cyborg body after a ruthless attack. Thrust into a fight against the mega-corporations that control her world, she teams up with local detective Gibson to regain a semblance of normalcy and freedom from the corporations who will stop at nothing to regain their property.

Familiar Cyberpunk Influences

The influences for this author here aren’t subtle. Detective Gibson is clearly inspired by William Gibson, writer of Neuromancer, which helped start the Cyberpunk genre. The main character, Frankie, also seems to be almost a perfect copy of the Major from Ghost in the Shell. Both of which are excellent influences to have, so I don’t blame him.

Nonstop fast-paced action

The strength of Dobell’s novel, which isn’t his first but is the first of his cyberpunk and sci-fi novels, is definitely the way he writes his action and pacing. I loved reading his descriptions of the weapons, armor, cyber-hacking, and mechs, as well as how each one of these are used or destroyed as the story progresses. This novel was hard for me to put down, with a fun fast pace and non-stop action, his writing flowed easily and it was a very fun read.

Likeable, if simple, characters

Dobell writes Frankie and Gibson in a way that makes them easy to like, and quick for the reader to care about their safety, which is great. There were moments where I felt shocked when the main characters get hurt, or seem about to get hurt, which showed I really felt and sympathized for them.

But beyond that, I felt disappointed by the lack of complexity I saw in the characters. Dobell has a tendency to explain to the reader how his characters are feeling and thinking, instead of showing his readers and trusting them to figure it out on their own. This, along with dialogue from the characters that lacked too much distinction from each other, made the characters seem rather simple. I liked the nuance Dobell brought to Frankie’s character as she considered her torn feelings about being in her new cyborg body, but the motivations behind Gibson, the doctor, and other characters they run into along the way felt lacking. I felt this especially when Gibson decides to help Frankie–like there needed to be more behind why he decided to do what he did.

Interesting new High Tech

What I really liked about this story was Dobell’s depiction of nanobots and cyborg implants being a corporation’s property, extending the lives of its citizens but only as long as they kept the payments coming. Corporations demanding their bio-property back isn’t a new concept, but nanobots being accessed remotely or being hacked was a fun new concept for me to read, and a grim warning of what our future may one day look like. Which is exactly what Cyberpunk is supposed to be.

Final Verdict: 7/10

Andrew Dobell’s The New Prometheus is a by-the-numbers Cyberpunk thriller, a fun, fast paced ride, but with some forgettable characters and at times lacking depth. It’s a good start to a fun promising story, though, and I look forward to reading more from Andrew Dobell in the future. Perhaps in his later books he will flesh out an already promising plot, improving both the depth and quality of the story.

And as always, if you liked what you read and want to help the Cyberpunk Matrix going, you can show your support over on Ko-Fi. Help contribute to the costs of website upkeep, or simply buy me a simulatte. https://ko-fi.com/cyberpunkmatrix

The State of Cyberpunk in 2022: Is Cyberpunk Dead?

The State of Cyberpunk in 2022: Is Cyberpunk Dead?

I covered a lot of this content in the Cyberpunk Matrix Podcast that came out on January 29th, 2022, but I thought for those of you who prefer reading and seeing content to listening to it, I’d create the blog post for you here too. I also made a video about all this, which you can check out over on the YT channel.

I’m not gonna sugarcoat it for you folks, the state of Cyberpunk leading into 2022 looks grim media-wise. There isn’t much to look forward to after the live action Cowboy Bebop and Matrix Resurrections finally came out. But I thought today I’d go over the few things to look forward to, how the cyberpunk media we have gotten recently is doing, and the overall state of things in the Cyberpunk media landscape. So let’s dive right in.

The bad news: A lot of recent Cyberpunk media has not been doing so well.

The Cyberpunk juggernaut that was Matrix Resurrections, unfortunately, critically underperformed at the box office. Perhaps part of this is due to its simultaneous release on HBO Max in the US, but lukewarm reviews and an average rating of 62% from Rotten Tomatoes surely didn’t help–this film was very polarizing. But how much did it really underperform? Here are the figures:

What does Matrix Resurrections’ lack of success at the box office mean?

Matrix Resurrections released on December 22nd, 2021, alongside Sing 2 and The King’s Man. It also released a week after what would become a box-office blockbuster, Spider-Man: No Way Home. With projected gross of $40 million over its 5-day release, it only grossed $22.5 million, a little more than half what it was anticipated to make. With its weekend gross of $10.75 million, it was worse than Wonder Woman 1984 a year prior. As of January 25th, Matrix Resurrections has made a total worldwide gross of $148.6 million, which, compared to its total budget of $190 million, seems like it may lose WB money, unless if it is able to make it up in the long term with merchandising and DVD/digital copies. The one silver lining is that it may have contributed to more HBO Max subscriptions, which was why it was added to HBO Max release in the first place.

What does Cowboy Bebop’s Season 2 cancellation mean?

Cowboy Bebop fared even worse than Matrix Resurrections. With a 47% approval rating on Rotten Tomatoes, many reviewers felt it didn’t live up to the original anime. Less than three weeks after the show’s debut on Netflix, its second season was already cancelled.

Does this mean Cyberpunk is dead?

This isn’t to say that Cyberpunk content can’t be successful. It’s worth noting that Battle Angel Alita, which released in February 2019, made $405 million at the box office compared to its budget of $200 million, and Ready Player One made $582 million from its budget of $175 million. Of course, both of these titles came out pre-pandemic, so it could be that people’s habits of going to the movies, mixed with streaming online like on HBO Max, make comparing titles difficult. So, no, Cyberpunk isn’t dead. Yet.

Is Cyberpunk dying?

Nonetheless, as of it stands now with the pandemic as a reality, Netflix and other production companies may think twice before investing in Cyberpunk sci-fi titles with a big budget. The industry is probably also further threatened by Disney (which acquired 20th century fox, the producers of Battle Angel Alita), with its Marvel titles dominating the box office and now big-budget Sci-Fi series such as The Mandalorian now also dominating the market on the streaming platform. Despite having decidedly Cyberpunk moments, the Star Wars franchise still remains in the Space Opera or Space Cowboy realm, and not really in the Cyberpunk genre, although it’s close and probably debatable to some whether it’s Cyberpunk or not.

The Good news: a couple Cyberpunk titles we can look forward to

The one definitely Cyberpunk media we can look forward to is actually Kamigawa: Neon Dynasty, the newest Cyberpunk-inspired edition to come to the trading card game Magic The Gathering. I covered some of this back in my 2021 year in review post.

Another to look forward to is the Netflix series Edgerunners, an anime series set to arrive on Netflix sometime this year, but the release date hasn’t been announced yet and it’s anyone’s guess if it will stick to its 2022 timeline.

We also have the recent news that season 2 of Upload is coming to Amazon Prime in March, so at least there’s that. If you haven’t already, it’s a great funny series to check out, you can read my review of it here.

The OK News: The Cyberpunk community, especially indie Cyberpunk authors, is still kicking.

Cyberpunk novels are still being written. Matthew Goodwin, Elias Hurst, Andrew Dobell, Anna Mocikat, S.C. Jensen, and many more are all Cyberpunk authors in the Cyberpunk community who are supporting each other, have written a lot, and are still churning out great content. Many are also participating in Cyberpunk Day, an event which started a couple years ago and helps fans of the genre discover cyberpunk content creators.

A Final Note: Cyberpunk is Now

Despite the apparent lack of Cyberpunk content, there’s still a whole year in front of us, and we can always be pleasantly surprised. Netflix has a habit of dropping content without warning, and the same could happen for Amazon Prime or other streaming platforms. But regardless of whether we see a lot more cyberpunk media this year, Cyberpunk is still very much in everyone’s minds nowadays, because of how Cyberpunk the news is becoming.

A medical staff member sprays disinfectant at a residential area in Wuhan in China’s central Hubei province on March 11, 2020. –  (Photo by STR/AFP via Getty Images)

Already the COVID-19 pandemic brought dystopian scenes to view with empty streets and warning signs in usually bustling metropolitan areas, which led many artists to discover and add to the Cyberpunk aesthetic. We also had Fake News and people questioning reality during the US elections, which bled into other governments in other countries doing the same, as well as street riots including the January 6 Capitol Riot shocking the world.

News Headlines Becoming Cyberpunk

As of writing this, Russia has amassed troops at the border of Ukraine, and as the world waits with bated breath to see how the standoff resolves itself there are reports that Cyberhackers are sending fake bomb threats to Ukraine schools and companies to pre-emptively sow terror before whatever happens.

“Why are you doing this?” Mr. Zelensky said at a news conference in comments directed at Russian President Vladimir V. Putin, in which he mentioned both the military buildup at the border and the flurry of bomb threats. “To threaten us? What is this sadomasochism? What is the pleasure of this? Of someone being afraid?”–President Volodymyr Zelensky of Ukraine, in what could have been a quote straight from a Cyberpunk thriller film.

Mark Zuckerberg showcasing a virtual horror, and I’m not talking about the skeleton onesie.

Finally, and most importantly, when Mark Zuckerberg announced he was rebranding Facebook as Meta and planned to shift the company to Augmented Reality and Virtual Reality with a new “Metaverse”, Cyberpunk became suddenly very real indeed.

“Once upon a time, a very long time ago – until Thursday 28 October 2021, to be precise – the term “metaverse” was known only to lexicographers and science fiction enthusiasts. And then, suddenly, it was everywhere” notes John Naughton from The Guardian.

The metaverse is dystopian – but to big tech it’s a business opportunity reads Naughton’s headline, dated January 29th, 2022. With Facebook’s morph into Meta, the New York Times also reported how “Shifting a 68,000-person social networking company toward the theoretical metaverse has caused internal disruption and uncertainty.” (January 31st, 2022) Thousands of Facebook employees now have the choice to adapt and change to become VR and Metaverse engineers, or find themselves new jobs. This sounds like it was taken out of Ready Player One’s OASIS creation backstory, and yet it’s not–it’s real life.

So with the news having what amounts to Cyberpunk headlines every day, I think it’s only a matter of time before Hollywood and the media start creating more Cyberpunk content to mirror the Cyberpunk times we’re living in. How do we deal with social restrictions born from pandemic and sanitary concerns? How will the Metaverse and Virtual Reality upend the current online marketplace? No one can tell, but we need Cyberpunk more than ever to both warn us and show us what we should want that to be.

 

The Cyberpunk Matrix Podcast | Episode 5: Cyberpunk Novelist S.C. Jensen discusses the Cyberpunk Genre

Welcome to Episode 5 of the Cyberpunk Matrix Podcast

Today on the show we have a Canadian fiction writer, science fiction enthusiast, and literary advocate S.C. Jensen.

She lives in Saskatchewan with her husband, three children, and four cats. She is also the author of the cyber-noir thriller series Bubbles in Space, which you can find on Amazon.

Join us as we discuss everything about the Cyberpunk Genre, including:

  • What defines Cyberpunk
  • The Cyberpunk aesthetic
  • How Sarah discovered the genre
  • Gender and Ethnic Diversity in the Cyberpunk genre
  • The inspiration behind her writing and her characters -Cyberpunk videogames
  • Film Noir and its relation and inspiration to Cyberpunk
  • Cyberpunk Day
  • The Matrix Trilogy, and the Cowboy Bebop Live Action series
  • The future of the Cyberpunk genre

The Cyberpunk Matrix Podcast | Episode 4: Cyberpunk Novelist Elias Hurst & Cyberpunk Day

Welcome to the fourth episode of the Cyberpunk Matrix Podcast

Today on the show we have a published chemist, electro-optics researcher, and Cyberpunk novelist Elias Hurst who has written such books as Europa and is a founding member of Cyberpunk day.

Join us as we discuss everything about the Cyberpunk Genre, from Matrix Resurrections, to Cyberpunk day, to what counts as Cyberpunk and how the genre is doing today. He also describes how he wrote his book and how he came to the genre, which was rather surprising.

 

For more from Elias Hurst, be sure to check him out on Amazon.

Cyberpunk 2021: A Year in Review for Cyberpunk

A Time to Look Back Again

Another year, another two weeks of vacation to pause, breathe, and reflect on what 2021 has brought us. My last Year in Review, for 2020, described many things that we got to enjoy in the year, along with looking ahead to the future of what 2021 might bring. Weary as we were with COVID-fatigue, we thought we had glimpsed a light at the end of the tunnel until Delta and then Omicron dashed those dreams. Still, while restrictions and cases are ramping up again, it still feels much better than what we exprienced in 2020, so at least there’s that. While different from 2020 in many ways, 2021 has been another great year for the genre of Cyberpunk in general. On the first few days of 2021 I wrote the following:

But with all these vaccines rolling out for 2021, the year looks very promising. And with the vaccines will hopefully come a new stability, a new normal that will allow travel and production on all our favorite media to resume again…Obviously what I am most excited for here at Cyberpunk Matrix, and indeed a lot of the inspiration why I created this website in the first place, is the return to the world of The Matrix with Matrix 4.

In the end of 2020 I wrote the following looking to the horizon of 2021:

Cyberpunk Media to Look Out For in 2021

  1. Dune
  2. The Matrix 4 
    • Obviously what I am most excited for here at Cyberpunk Matrix, and indeed a lot of the inspiration why I created this website in the first place, is the return to the world of The Matrix with Matrix 4. Now that Lana Wachowski and the production team was able to wrap in Germany, it seems like the biggest work in producing Matrix 4 is done. Now comes the step of adding the music, edits, and all the other post production work, before marketing and getting Matrix 4 ready for their release date of December 22nd, 2021. Hopefully that release date won’t be pushed back yet again.
  3. Edgerunners (2022)
    • While all we know about this standalone series from Netflix set in Night City is that it will come out in 2022, hopefully there may be some news about its production to come out in 2021. Similarly, I am looking forward to any and all Cyberpunk 2077 DLC that comes out in 2021 that adds to the already very rich world that CD Projekt Red has created.

Well, Dune ended up being released September 15th. It was only part 1, but impressed enough people that it got greenlit for a part 2, which is amazing news. It also got great reviews and I personally loved the film. Since it’s not technically Cyberpunk, I probably won’t be reviewing it here on Cyberpunk Matrix, unless if I someone requests me personally to do a review. It could also qualify under an “Is This Cyberpunk?” segment.

As for Matrix 4, the name turned out to be The Matrix Resurrections, leaked online via Instagram. Among a slow drip of casting news, interviews and sneak peeks, we also got a teaser trailer, an actual trailer, and then I got to see the premiere of the film itself in London, which was an incredible experience that I’ll never forget. I’ve also already posted my spoiler-free review for that, with a more in-depth spoiler review forthcoming.

Meanwhile, we got a lot of other Cyberpunk media in 2021, as well as a new personal project here at Cyberpunk Matrix. So come join me, won’t you, as we take a walk down memory lane again and look at all the Cyberpunk media that came out in 2021.

Outside the Wire (Netflix, January 15th)

Cyberpunk in 2021 started the year off bright and early with the release of Outside the Wire, a Netflix original starring Anthony Mackie, whom we had previously seen as the third incarnation of Takeshi Kovacs in Altered Carbon Season 2. While initially marketed as a war action flick, I noted in an “Is This Cyberpunk?” segment that it wasn’t actually Cyberpunk, but it had elements that made it come close. While it had decent ideas and acting, I concluded it was a missed opportunity, a film that failed to hit its mark but was still worth a Sunday afternoon to watch. You can read my full analysis of the Cyberpunk elements of the film here.

Space Sweepers (Netflix, February 5th)

Space Sweepers was a surprise Cyberpunk film to come out on Netflix. While most of the film was in Korean, since it’s a Korean film, there were moments in other languages too, making it a properly diverse and cyberpunk film. Sadly, I never got around to making a review for the film, as other things like life intervened, but I hope to get around to writing a review for it someday soon. It was more space than Cyberpunk, although it had a lot of Cyberpunk elements. While interesting and serious, there were almost too many moments of humor and silliness, almost as if the film itself were an anime. Still, I highly recommend seeing the film, in particular for the impressive visual effects.

The End of Daft Punk (February 22nd)

This came as a sad shock to Daft Punk fans around the world, and to Cyberpunk fans in general, as this decidedly Cyberpunk electro duo decided to call it quits on February 22nd with an 8-minute epilogue. Having formed in Paris in 1993 by Guy-Manuel de Homem-Christo and Thomas Bangalter, they would soon thrill the world with their fresh electro albums like “Homework”, “Discovery”, “Human after All” and “Random Access Memories”. They also created the original soundtrack to Disney’s Tron Legacy, as well as live-recorded albums and a visual companion to their Discovery album, an anime film called “Interstella 5555.” Always showing up to concerts in their Robot Android costumes (or were they truly androids?) they rarely gave in person interviews, preferring to remain anonymous and mysterious. In a requiem homage post I made in March detailing their breakup, I noted:

With an emphasis on anonymity to keep mega-corporations at bay and stay truly rebellious to the traditional trends of the churning, remorseless music industry, Daft Punk will stand the test of time and will forever remain in our minds visually and auditorily as the Cyberpunk sounds of the past, present, and future.

Love, Death & Robots Vol. 2 (Netflix, May 14th)

This came as a happy surprise, it was released without any proper announcement. After loving certain episodes of the first volume, I was eager to see the second, but many were disappointed in the decidedly shorter number of episodes for Volume 2 (8 episodes in total compared to 18 episodes in volume 1).

The Beginning of the Cyberpunk Matrix Podcast (May 25th)

May 25th saw the introductory episode of the Cyberpunk Matrix Podcast. Since that date there are 5 episodes available on Spotify, Apple Podcasts, Google Podcasts, Stitcher and Anchor, not including the introductory episode. This has been a major growth for Cyberpunk Matrix, as I’ve had the opportunity to interview content creators, Cyberpunk writers, and fans of the Cyberpunk genre to get a more broad, outside perspective on the Cyberpunk Genre. It’s been a lot of fun and very interesting for me to share my love of Cyberpunk in a different medium. You can check out all the Podcast episodes on the official Cyberpunk Matrix YouTube channel here, or on Spotify here.

Cyberpunk Day (October 10th)

Started in October 2020 by a coalition of Cyberpunk authors and enthusiasts like Matthew Goodwin (Into Neon) and Elias J Hurst (Europa), Cyberpunk Day was created to help others discover new cyberpunk content like books, comics, shows, movies, and art that weren’t as well-known as the more mainstream classics. While last year’s Cyberpunk Day featured more readings, this year featured more interviews and presentations, including guest star Mike Pondsmith, creator of the Cyberpunk Red tabletop RPG and Cyberpunk universe that Cyberpunk 2077 was based off of. I particularly enjoyed their round table with authors and enthusiasts who discussed what they considered Cyberpunk and not (much to my surprise, their definition was a lot more open than mine is) as well as their favorite works. You can check out the replays on their YouTube here.

Cowboy Bebop (Netflix, November 19th)

A divisive, yet major title to come out to be sure, the live action Cowboy Bebop both wowed and underwhelmed viewers upon its release. With a fun, quirky teaser and then promising trailer, the show started strong but ended with a weaker finish, as I reviewed here on Cyberpunk Matrix, but also most importantly, Netflix never gave the series a chance as its season 2 was cancelled before even a month had passed that it was available to stream on the platform. High drop-off rates (such as people stopping to watch after the second episode or so) were too blame. I noted this was a damn shame because the acting, special effects, and cinematography were all top-notch. See you, space cowboy.

The Matrix Resurrections (December 22nd)

Last but not least, the movie that we had all been waiting for for so long, and a major inspiration for the moniker of this Cyberpunk blog, The Matrix Resurrections was finally released this year after being announced so long ago in August of 2019. After that as I mentioned above, among a slow drip of casting news, interviews and sneak peeks, we got a teaser trailer, an actual trailer, and then I got to see the premiere of the film itself in London, which was an incredible experience that I’ll never forget. I’ve also already posted my spoiler-free review for that, with a more in-depth spoiler review forthcoming. While ironically a staple Cyberpunk media, I think many people will kind of forget that the Matrix Resurrections is cyberpunk, focusing instead on the Meta aspects and its subtle-yet-not-so-subtle commentary on society, social media, sequels, and corporate culture. Instead, I’m sensing that anything considered “cyberpunk” in laymen’s terms will be quickly relegated to “related to that Cyberpunk game that had all those bugs and Keanu Reeves”. Hopefully this will not be the case, and we’ll continue seeing the genre grow. But this leads me to the Cyberpunk media we have to look forward to next year.

Cyberpunk Media to Look out for in 2022

I’m not gonna lie, after a quick perusal of things coming up…there’s really not much to look forward to. There are only two things that are exciting to look forward to Cyberpunk-wise. After a flood of Cyberpunk content with things like Cyberpunk 2077, The Matrix Resurrections, and the live action Cowboy Bebop, we are arriving at a drought of Cyberpunk content. Next year’s Science-Fiction content seems to be primarily the megacorporation of Disney doing Star Wars sagas, whether it be on the big screen or mainly just on their streaming platform, Disney+.

So we have to wait and hope that we’ll be surprised with great new sci-fi content. Netflix surely is feeling like betting on Cyberpunk Sci-fi content like Altered Carbon or Cowboy Bebop simply isn’t worth the investment, and with Disney flooding the market with Star Wars content, we miserly punks are left in the gutter with little content, where we can only wait.

My hope is that we see a Ready Player Two adaptation come soon, or a continuation of Alita: Battle Angel, or a new Cyberpunk title be adapted soon. But for now, here are the two Cyberpunk things I am looking forward to in 2022:

Magic the Gathering: Kamigawa Neon Dynasty

Release Date: February 18th, 2022.

This may fly under the radar for many, but I think it’s telling that one of the longest-lasting trading card games, Magic the Gathering, is finally doing their take on Cyberpunk with the upcoming edition of Neon Dynasty. This is a revisit to their original Kamigawa set, which had focused on Feudal Japan and ninjas. Well now they’re cyber-ninjas and neon samurais set in a distant future. Full disclosure: I was a huge MTG fan growing up in High School, and although I don’t buy or play with the cards anymore, I’ve made it easier for myself by downloading and playing the free MTG Arena game that allows you to get the newest decks and play with others online. All that money saved! Young me would’ve been so envious.

Edgerunners (Netflix)

Release Date: Unknown.

In case you forgot, Edgerunners is the anime series coming to Netflix based on the Cyberpunk 2077 videogame. This was announced during one of CD Projekt Red’s “Night City Wire” announcements during the months before the game’s release. Unfortunately, we know little more now than we did back then. It’s still set to be released in 2022, but they haven’t announced what date yet (it’ll probably just drop eventually as a surprise on Netflix with no announcement).

So there you have it! If you think I missed any other Cyberpunk releases, or if there’s something else you’re looking forward to in 2022, please let me know in the comments below.

The Matrix Resurrections: Official Cyberpunk Review

Cyberpunk Review: The Matrix Resurrections

Well folks, the day I waited for with infinite zeal finally arrived: December 22nd, 2021, I finally saw The Matrix Resurrections in theaters! In a giant IMAX theater in the heart of London, no less!

I have a lot of thoughts about the movie and I want to do it justice, so let’s dive right in: Here is my (mostly) spoiler-free review of The Matrix Resurrections, and why you should definitely go see it as soon as you can–although I strongly recommend rewatching the initial trilogy before you do so. Even though it makes enough callbacks and flashbacks in case you forgot, it’s still better to have the trilogy fresh in your mind before losing yourself down the rabbit hole once again.

Familiar Scenes and Repeating Loops

The Matrix Resurrections is about a lot of things, and I’m sure countless articles will be written about its symbolism and intent, just like the trilogy did. What’s different with Resurrections is how meta it is–it’s incredibly self-referential.

It begins with the same Trinity scene in what looks like the same hotel. It has many of the same lines from the first Matrix film. Then as the film progresses, we see new characters offering the same choices to the same titular character.

But something’s changed.

We’ve seen this all before, and yet the story is different. It’s looping, referring to itself in different ways.

Thomas Anderson doesn’t know what’s real or not, but not because he thinks he’s dreaming. This time it’s because he has memories that can’t be real, and hallucinations during his waking hours that makes him question reality and his own mental state.

As with the first film, right off the bat we have a fast-paced action scene where we’re not quite sure what we’re looking at. Suddenly a chase ensues without us understanding the stakes, which makes me wonder whether the audience felt the same way watching Trinity escape from these mysterious men in suits for the first film.

A Quick Start that Briefly Slows Down

Despite a quick start, the pace then slows down a little as Neo, or Thomas Anderson, tries to make sense of who he is and what has happened since we last saw him. This leads into part one of the film, which is the audience following the newcomers (Bugs, Lexy, Seq, and a new Morpheus) trying to reach Neo and free him from the Matrix.

Social Commentary we’ve come to expect

In the process we are privy to a host of meta messages about the original Matrix trilogy, and the world’s apparent response to it. In it Lana none-too-subtly pokes fun at those who aggrandize her own work, from mega-fans to the production company Warner Brothers itself, and even seemingly making a statement of our current society and its addiction to social media.

In this Matrix society, everyone goes to the gym, sips lattes, and is appropriately woke while working at a mostly cubicle-free environment where it’s casual Friday and staff want to be supportive and encouraging, while in reality being maddeningly annoying.

After a bit of fast-paced action to end the first half, the movie enters the second half, which begins with explaining what happened to the world since we last saw it, and then leading very quickly into unplugging someone else from the Matrix–heist part two, basically.

And this is where the pace speeds up, and doesn’t stop until the end of the film. This movie is, in general, incredibly fast paced. A bit like the original trilogy, the moments where it takes a breath is few and far between, and because of that, we don’t have enough time to process what is happening, and yet it’s exhilarating as a result.

What’s the focus?

While there’s a lot of action in this film, the action doesn’t seem like the main focus. It also feels a bit like two heist movies in one, as a team tries to free and disconnect two different people from the Matrix. This film, however, is really a love story at its core between Neo and Trinity. It asks a lot of questions of what it means when they’re apart, when they’re together, and when they’re seeking each other. This is a perfectly understandable focus when we revisit the motivations for Lana Wachowski to revisit the Matrix world after saying she never would for over 20 years. Neo and Trinity returning helped her process her grief when her parents passed away. She explained:

“My brain has always reached into my imagination and one night, I was crying and I couldn’t sleep, and my brain exploded this whole story,” Wachowski said. “And I couldn’t have my mom and dad, yet suddenly I had Neo and Trinity, arguably the two most important characters in my life.”

Other changes compared to the original trilogy

Gone are the green and blue hues, as now Lana Wachowski likes shooting with natural daylight, something she learned when filming Cloud Atlas and then Sense 8. Similar to the beautiful sunrise Sati created at the end of Matrix Revolutions, everything is bright and modern in this film, except for the real world which still remains relatively blue and dark, although even the real world has some new changes. Also gone are the phonebooths to leave the Matrix, as a modern era rarely uses phonebooths anymore, with everyone having smartphones. Instead, headsets and mirrors are used. A final important change is that big bad agents are no longer used–the machines have other ways of keeping humans in line in the matrix. Oh and despite being serious, this film is actually quite funny at times–a lot more than the original trilogy ever allowed.

A Musical Soundtrack to make Don Davis Proud

Another one of my favorite aspects of the original trilogy was the incredible soundtrack Don Davis produced, in particular with his use of a Pile Driver and a full orchestra to create the iconic original soundtrack to the films.

For Matrix Resurrections, the new musical composers are the duo Johnny Klimek and Tom Tykwer, who composed a very brief song for the club scene in Matrix Resurrections called In My Head (the duo were members of the band called Pale 3). I am happy to report that although the duo are no Don Davis by far, the soundtrack is actually quite excellent. Apparently, after the script was written, a storyboard was drawn up and the duo composed the musical soundtrack for the film before the film was actually shot and edited, in order to make the movie match the soundtrack and not vice versa.

It’s fast, epic, bombastic, and filled with plenty of strings and trumpets, with many throwbacks to the original Matrix score. You can listen to the entire Original Soundtrack now on Spotify.

One Critical Note

So far you might think that I thought the film to be perfect, but that is sadly not the case. There is one thing that stands out as different compared to the original trilogy, and that is the quality of the action sequences. While the chases were fun enough, especially in the finale, the fighting sequences were cut fast, a bit shakily, and it is difficult to see them clearly. Especially the dojo scene, the choreography just isn’t as beautiful as what it once was, and it’s very noticeable. One possible reason is that due to the pandemic, they weren’t able to bring in talent from Hong Kong that paralleled the artistic talent of Yuen Woo Ping. Another possible reason is that Keanu Reeves and Carrie Anne Moss are a lot older than they once were, and as a result their fluidity of movement is simply hampered by age. Whatever the reason, don’t except the same classic fights like against Neo vs. Seraph in the tea room, or Neo vs. Morpheus in the Dojo. It won’t compare, but it’s good enough, I suppose. Another interesting note is that throughout the entire movie, Neo never picks up a gun. This was surely done intentionally, but if you’re looking forward to a massive shootout with Neo like he did in the first Matrix film, it’s best you rid yourself of that expectation now.

Final Verdict: 10/10

Despite its action sequences, I still loved this film from beginning to end. Maybe it’s because the Matrix has such a special place in my heart, but there was enough new technology, enough social commentary, and enough action for me to like this movie. But the acting, dialogue, and music were all excellent, and along with the quick pacing of this film made it a fun, thrilling, and thought-provoking movie for me to give it a top score. So don’t raise your expectations too high–it’s nothing industry-breaking–but don’t listen to the haters either. This was a divisive, yet wonderful, fun film with a lot of heart, and you’ve gotta go see it.

In case you were looking forward to more in-depth analysis, I will probably be posting a spoiler-filled deeper dive into The Matrix Resurrections sometime soon.

What were your thoughts on this movie? If they’re spoiler-free, let me know in the comments below. 🙂

Cowboy Bebop Live Action Review

Cyberpunk Origins? And a Strong Fan Base

Cowboy Bebop is a very popular anime that came out in the late 1990s in Japan and in the US on channels like Adult Swim’s Toonami. In 2017 it was announced that a live action remake of it would be made with Christopher Yost as the series writer, and lead roles being John Cho as Spike Spiegel, Mustafa Shakir as Jet Black, and Daniella Pineda as Faye Valentine. This is a review of the live action remake, that finally came out on Netflix on November 19th, 2021

A Netflix Adaptation

Netflix’s Cowboy Bebop did an impressive job adapting its original anime source material, and while taking many elements and honoring its source material, it does at times also deviate and create its own identity, especially at the end.

Just like the original anime, we begin by seeing Spike Spiegel and Jet Black together on the Bebop. Eventually they are joined by Faye Valentine, while Ed only shows up at the end of the final episode. Ed was supposed to play an active part in season 2, but due to low viewership, Netflix very quickly cancelled the 2nd season.

This is a damn shame, because I really enjoyed this live action take. The series was divisive–and as soon as the cancellation for the second season was announced, fans formed change.org petitions to call for its revival, and then counter-petitions formed in response for those who hated the remake.

Regardless of which camp you fall under, I think it’s fair to say that two things hit you when you first watch this series. The first is how beautiful the cinematography is, and the second is how quirky things are shot and edited at the same time. We were given a taste of this with the trailer, but the fact that they were able to keep this fun quirky style throughout the series is really commendable.

A Strong Beginning

The beginning of the series is almost a stroke for stroke remake of the first episode of the anime version. Here we’re introduced to Spike Spiegel and Jet Black, and they did an excellent job with the whole bounty hunters stopping a heist spiel. Some critics may not have liked how close the series stuck to the original, but since I wasn’t a die-hard fan of the original, I enjoyed it well enough.

The series takes its time to get to Faye Valentine, but after the first episode, the series has enough different episodes to come into its own. Some of them are done better than the anime, most of them are done worse than the anime, but the key here is not to compare the two. It’s infinitely more difficult to film live action and use special effects than to simply use an anime. As a result, the action is also a little different, as live action fight scenes need to adhere to silly things like the laws of physics. For the most part.

An incredible Soundtrack

Yoko Kanno, the composer to the original anime and also the one who wrote the brilliant theme song “Tank!”, was brought back for the live action. And my god, it’s brilliant. It’s just as quirky and fun as the original soundtrack for the series, if not better, with trumpets and electronic riffs and fun little vocals. You can listen to the entire soundtrack here.

And a Weaker Ending

Unfortunately, as seems to be the case with a lot of different live action (looking at you, Altered Carbon!) the strong beginning finishes with a weak ending. The focus for this series on Spiegel’s nemesis, Vicious, was a lot stronger in this series than in the original anime. Julia, Spiegel’s old flame, also plays a very important role. I wish instead of building Vicious’ character, his backstory and rise to power, they would have just shown the aftereffects of what he did and let us figure it out on our own. I also didn’t like how Julia’s ending was changed in this live action compared to the original anime. Nonetheless, it left the series with a promising new direction for her character, one that we sadly won’t be able to see now that the series has been cancelled.

Final Verdict: 9/10

Overall I actually really enjoyed this series, mostly for its music, quirkiness, and cinematography. John Cho and Mustafa Shakir did excellent jobs adapting both of their characters, Daniella Pineda was great too, and Vicious and Julia’s characters, while bogging down the ending, didn’t ruin the series for me overall. There was also a particularly Cyberpunk episode worth noting, where Spike gets caught in a Virtual Reality fighting his own personal demons as an artificial intelligence tries to corrode his brain. It was very Philip K Dick-esque. This on top of the countless punk-like moments and high-tech scenes with spaceships in poor repair.

But what did you think of the series? What Cyberpunk elements did you enjoy? Let me know in the comments below.

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Cyberpunk Book Review: Tropical Punch (Bubbles in Space #1)

Cyberpunk Review: Bubbles in Space #1 — Tropical Punch

Tropical Punch is a cyberpunk tech-noir murder mystery written by Sarah C. Jensen, featuring “Bubbles Marlowe”, an irreverent private eye with a robotic arm and who loves chewing bubble gum, which apparently is an important detail since every book in the Bubbles in Space series (Chew ’em Up, Pop ’em One, and Spit ’em Out) seems to reference chewing gum. Or perhaps it’s a cheeky play on words with the author and her readers, setting the tone for the books themselves. If so, it’s brilliant and hilarious, much like the majority of this book.

A Fun Cyberpunk Setting and Sidekick

Bubbles is an ex-cop private detective who is given a seemingly easy job: to deliver a message to a girl in HoloCity. Once she finds her, though, everything seems to go wrong, and she quickly finds herself inextricably caught up in a confusing murder mystery to solve which leads her right on board an inter-galactic cruise liner. By her side  is her trusty android pig, Hammett, a cute wise-cracking robot with the ability to hack into systems and who serves as a reliable sidekick to Bubbles.

A Fast-Paced Page-Turner

I thoroughly enjoyed reading Tropical Punch and, much to my surprise, it was a page-turner that I finished in record time. I simply couldn’t put it down. Starting in the rain-soaked neon streets of HoloCity before going to the rich people’s space cruise, I loved the themes of income inequality, corrupt cops, cybernetics, religious zealots, and advanced tech in a noir-detective style.

Meme credit: S.C. Jensen

A Female SF Lead written by a Female SF Author

Another thing I definitely enjoyed was reading a novel with a female protagonist written by a female science fiction writer, for once. So much of the Cyberpunk novels I’ve read, from Snowcrash to Neuromancer, from Total Recall to Altered Carbon, have all been written by men with male protagonists. The Cyberpunk that I know and love, however, is more diverse than that. So we need writers like Sarah Jensen to continue lending her voice and her characters in order to fill the cyberpunk canvas with more complex, interesting characters. Bubbles is a recovering alcoholic, for example, which was inspired from Jensen’s own personal struggles with alcohol addiction.

Meme Credit: S.C. Jensen

Final Verdict: 9/10

What stopped this book from getting a full 10/10 mark was the fact that once I finished it, I didn’t feel like I had a deep awakening or a new insight on life or anything. It’s not the kind of book that really sticks with you. Rather, it a fun, light-hearted, fast read that hits all the right Cyberpunk marks. It actually felt rather reminiscent of the Harry Dresden Files books. If you like Harry Dresden but wished he were more Cyberpunk, then look no further than Bubbles Marlowe. And even if you don’t, I highly recommend this enjoyable read for the funny one-liners, great cyberpunk elements, top-notch writing, and the refreshing female perspective. I for one can’t wait to read the rest of this series! Book 5 should be out by the end of the year 2021. Books 1-4 are available now on Amazon via paperback, kindle, and kindle unlimited.