Not for the faint of heart

Metalhead is an incredibly bleak episode, one of many in the Black Mirror Series. It’s set in a dystopian future where sentient robots, called dogs, hunt humans. The entire episode is set in black and white, and the musical score is as chilling as any proper horror short story. The episode follows three members of a survival group who are out foraging for supplies, looking for a specific box on the top shelf of a specific warehouse out in the wasteland. Hastily-abandoned cars litter the side of the road among empty, destitue landscapes, suggesting something went seriously wrong in this world.

A Killer Robot Dog With No Face

The characters encounter one of these “dogs” early on, and this is where the true horror sets in. This dog is completely expressionless, adding a cold and calculating element to its purpose to apparently search and destroy any human it comes across. Part of what makes this killer robot so chilling is perhaps because the technology it employs does not seem that far-fetched compared to what is possible today.

Slow-Motion Horror

Another masterfully done element of this short horror piece is the slow-motion effects that are employed whenever something truly shocking and terrible happens. It reminds me of anytime something awful is in progress of happening, so bad it requires a shift in worldview or complete change in perspective afterwards, and so while it happens it seems as if time slows down. If you’ve ever watched something truly valuable like a new cellphone fall towards the hard concrete without a case, or some priceless bauble tumble into a drain, perhaps you can relate. And so too is the viewer taken along for the ride of the horror that these humans encounter.

Similar to other horror films (I would think, because it’s a genre I try to avoid) the camera often takes the place of what the dog sees, how it scans the land and how it pursues its prey. This at least reminded me of the AI visions from the perspective of the Terminator.

Alternating Between First-Person and Third-Person Shots

Surprisingly, the camera never takes a complete first person perspective of the humans in the episode, but with the masterfully cut angles it might well have with its close-up shots of the tools that the surviving humans encounter in their breathless run from the dogs.

As terrifying as this episode is (including the decidedly unhappy ending), one might find solace in thinking that this dog, this technology, isn’t possible.

Why This Matters: Chilling Parallels with Boston Dynamics

Well, that same terror might return if the viewer knows about the work of Boston Dynamics. See any similarities here?

Boston Dynamics has already made several breakthroughs in the mobility of their robots, and I for one think it’s just a matter of time that these robots, similar to the drone technology we already have, will become more widespread and available, especially with the military.

It’s not a far leap to guess that weaponizing the quadruped robots they already have would be useful to ‘save lives’ for the military, and once that’s achieved, it’s only a matter of time before those weaponized robots are hunting enemy humans (as this Youtube Channel Corridor effectively imagines). Combine that with the drones that are already dropping bombs on people, and you have a truly dystopian future.

The acting in this episode is masterfully done, as are the shots and the scenes. I would have liked to see the episode in color, as the black and white scale was unnecessary, but I suppose it does add an artistic and even more somber touch to an already depressingly terrorizing episode.

Final Verdict: 9/10

You have to take the episode for what it is: A chilling, and thrilling, standalone episode. I always find that it’s the episodes that you keep on thinking about long after you’ve seen it that are the most influential, and this episode is definitely one of them. Because of the acting, the black and white stylistic choice, the action, the horror, and the direction of different angles, this is an excellent thrilling robot horror episode.

Terminator: Dark Fate, while being the 6th film in the Terminator franchise, is set after T2 and meant as both a soft reboot and a sequel to the Terminator saga. With the failures that were Genisys and Salvation, Terminator: Dark Fate chose to go back to the basics, with James Cameron assisting in producing and writing the story, and Tim Miller (Deadpool) directing. Also returning are Arnold Schwarzenegger (a Terminator) and Linda Hamilton (Sarah Connor), both of which provide a superb performance. Newcomers are Mackenzie Davis as Grace, an augmented human soldier from the future, Gabriel Luna as a Rev-9, the newest and most deadly Terminator series we’ve seen yet, and Natalia Reyes as Daniela “Dani” Ramos, a young woman who is the Rev-9’s new target.

A Familiar Story

Dani is working at a car factory plant in Mexico when Grace, an augmented human soldier from the future, arrives to save her from Rev-9, the latest Terminator from a new terrible future. In their attempt to flee from the Rev-9 they encounter Sarah Connor, and then later another older Terminator, who all work together to protect Dani from the deadly and seemingly unstoppable Rev-9.

Review

Dark Fate was an exciting, thrilling way to spend 2 hours. It is definitely better than Genisys and Salvation, and a solid addition to the saga, but because of its need to reboot the series, it seems that the director and writer here didn’t want to take any chances by trying things outside the box. There was nothing particularly new in this movie, which can be both a good and a bad thing.

The Action

Visually, it was very well done. There’s a fast-paced car chase scene that reminded me of the highway chase scene in The Matrix Reloaded. There’s also a thrilling plane chase scene which was done in a creative way, and also reminded me of the plane scene from Fast and Furious 7. There were also a few nods to the previous films, in terms of parallel scenes, and it’s always nice to see the gang back together obviously.

A New Subtle Dynamic

What I wasn’t expecting was how much I enjoyed watching three different kinds of women that were all bad-ass in their own way. Sarah Connor is a grizzled, bitter, hard-as-nails human with enough emotional trauma in her past to make her cold non-nonsense character make perfect sense. Grace is a highly-capable super-soldier whose sole focus is her mission, and by extension her compassion towards protecting her charge, Dani, from harm. The short flashbacks of Grace’s character did a great job filling in her motivations as well. Finally, the whole film is tied together by the completely human responses that Dani delivers while learning she is being targeted by a robot death machine and needing to adapt on the fly to everything happening around her. She makes some mistakes and is shocked and frozen in place at times, which is exactly what she needs to do to ground the film in a realistic human reaction to an unrealistic situation. She also does a much better job of it than Sarah Connor did in T2.

I look forward to seeing more films with highly-capable action heroines that can actually perform the action well. Halle Berry’s performance in John Wick 3, for instance, left me a little wanting. Dark Fate did not.

In fact, for most of the film, there are hardly any men at all. The only men we do see are actually robots, and therefore aren’t really men at all. There are no male guardians telling these women what to do, and no male saviors of the world, which has always been the cliche in the majority of action films we’ve seen before. This made for a very interesting dynamic.

More interesting characters

The characters in Dark Fate were a lot better developed this time around compared to Genisys and Salvation, and as a result it made me care more about what happened to them. I also liked the sense of despair that gripped the characters, and the viewers, as nothing seemed to stop the main terminator antagonist. All three female protagonists are struck by tragedy in one way or another at some point in their story, which makes them deeper characters. For Dani, it’s something that happens early on in the film, so her pain is raw and fresh. For Sarah, it’s a tragic event explained at the beginning of the film, which is revisited later on. For Grace, it’s the traumatic experiences that came with the end of the world in her dystopian future, which she relates to the others and gives her greater depth. However, her backstory was a bit shallower to the other two, and I would have liked to have seen more of her story developed, but it may have been cut for timing reasons.

A New Terminator

Despite expecting everything to be the same, one thing that really surprised me in this film was Arnold Schwarzenegger’s Terminator. In the film this Terminator has lost any connection with Skynet, and therefore has no more mission objectives. So what happens to a T-100 without orders, but with the same processing and adaptability capabilities that it had before? This film answers this question. In retrospect it makes sense and I guess I should have seen it coming, but although I recognized the moment when the Terminator would present himself, up until that point I had no idea when or where he would come up in the story, and that was great. Also, what happens to the Terminator by the end of the movie felt like a very elegant way to wrap up Schwarzenegger’s involvement in the series, allowing for different models and different faces in the future, if ever a sequel is made. There were other clues to Schwarzenegger perhaps ending his involvement in the series, such as him choosing not to pick up his iconic black sunglasses after considering them for a second, and telling a family he was with that “I won’t be back,” modifying his classic tagline. For Terminator fans, these subtle moments spoke volumes.

Setting

This film takes place in Mexico, at the border, and in Texas, which allowed the film to offer soft nods to current cultural clashes such as immigration and gun control. There’s an exciting car chase and highway scene at the beginning, and then another scene in the air with a Lockheed C-5 Galaxy and a Humvee, as well as a heart-pounding scene underwater at/in a Dam. While most of these scenes are different from previous Terminator films, some, in particular the final scene of the film, felt very familiar to the previous films, which was great.

Final Verdict

Although I left the theater feeling like, while enjoyable, this film offered little new (it stays formulaic in its plot of vulnerable human who is the salvation to mankind is protected and on the run from an unstoppable robot killing machine) upon reflection there were a lot of things that I really enjoyed in this film. The female heroines, both the T-100 and the Rev-9, Sarah’s performance and backstory, the action, the set locations (mostly Mexico, which is something different for the series, but also in the air and underwater), it all combined for an exciting and enjoyable film.

My final rating for this film is 8/10. It’s not a very complex plot and doesn’t offer much new, but the performances, action, and special effects were all great, making this a very enjoyable film to watch and a welcome addition to the Cyberpunk genre (even though this film had a limited amount of high-tech, low-life elements in it).

It’s a shame that this excellent film under performed in the box office. I would guess that it’s performance has nothing to do with the quality of the film, and more to due perhaps with audience fatigue with the series, coupled with bad associations with the previous films and perhaps a general decrease in the numbers of people going to the movies. This unfortunately means that a sequel will probably be shelved for the indefinite future.

Edge of Tomorrow is what happens when Elysium and Starship Troopers meet Groundhog Day. Featuring Tom Cruise and Emily Blunt, I was happily surprised to rediscover this gem of a sci-fi adventure that I would argue is close enough to Cyberpunk to warrant a review, although I’ll admit it doesn’t fit the CP moniker too snugly.

What’s it about?

Edge of Tomorrow is a 2014 science fiction action flick from Doug Liman (Bourne Identity, Mr. and Mrs. Smith) that is based on the Japanese light novel called All You Need Is Kill from Hiroshi Sakurazaka. It is set in a future where most of Europe has been invaded by an alien race, and major William Cage (Cruise) becomes an unwilling soldier stuck in a time loop reliving the same day’s battle every day, resetting only whenever he dies. Despite a more modest performance in the US, it performed well internationally, which is shame because this is actually a really good movie.

Other than excellent performances from both Cruise and Blunt (I really liked the fact that Blunt is depicted from the very beginning as a complete badass nicknamed the “Angel of Verdun”) the fast pacing and tight direction from Doug Liman make this film a heart-stopping delight to watch, and even despite seeing repeat scenes as a natural part of the time-loop premise, it somehow doesn’t get old.

If you’re a Matrix fan like I am, then you’ll find some similarities in scenes that I haven’t seen in any other movies that get the fast-paced and gritty-world textures just right. The Mimics, one of the aliens, feels very similar to the sentinels in the Matrix.

The giant guns, gun turrets on airborne vehicles and mech-suits also feel right at home. The score for this film was also very good, it added to the tension nicely. The special effects were also excellent, and there is a real tension in the air that the enemy is nigh-impossible to kill, along with a fear for the characters being ripped to shreds (again, not unlike the matrix). That is, death is practically guaranteed against this enemy unless if you get to try again. And again. And again.

I wasn’t the only one to really enjoy this movie. Click above to see 5 reasons why you should see Edge of Tomorrow, which is now available to stream on Netflix.

If you like this movie, I’m happy to report that a sequel is currently in the works according to Vanity Fair. I can’t wait to see the dynamic duo of Blunt and Cruise return, and where they decide to take this story in the next installment.

Rating

I would give this film a 9/10 due to excellent acting, special effects, music, direction, and plot. The only reason why I have to take off a point is because this film doesn’t leave you walking away with any deep insights or seeing the world in a different way. It takes you away from the real world for a couple hours, but it doesn’t stick with you like some other films might.