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Cyberpunk Book Review: Zero-Day Rising

Cyberpunk book review: Zero Day Rising Cover
Cyberpunk Book Review: Zero Day Rising

Cyberpunk Book Review: Zero-Day Rising (BetterWorld trilogy #3)

Zero-Day Rising is book 3 of the BetterWorld Trilogy by T.C. Weber, which is available on Amazon now, as the third part of the three-book set called The War for Reality (check out our review of Book 1, Sleep State Interrupt, here). It continues the story of the Cyberpunk crew from book two but this time doesn’t introduce any new major players. Kiyoko is coming back to America with a vengeance to take on MediaCorp and free her sister Waylee, but with a more organized front this time. They will need all the help they can get, and all of her allies, to muster the right kind of action that she’ll need to fight back. Also, some spoilers ahead, as I’ll be mentioning some things that happened in book 1 and book 2.

A Return to Book 1’s settings, but with Book 2 Skills

While having a lot of action, Leviathan wakes didn’t seem to have as many Cyberpunk elements as we saw in Book 1 with the hacking and break-in elements. Book 3, I am happy to say, has everything you know and love and more. Kiyoko’s hardened into a bona-fide badass, taking the lessons she’s learned from book 2 and applying them to turn allies into soldiers, so to speak, in the war against Mediacorp. So we see a good amount of action and guns-blazing fighting too. Teaming up with Pel, and then later Shakti and Dingo from book 1, they work both separately and together to be able to first break Waylee out of prison much the same way they did with Charles, and then with figuring out how to destroy Mediacorp. Weber chose to do so in a very believable way, so believable in fact that maybe some community organizers or aspiring cyberpunk hackers could use the book as a way to effectively and pragmatically fight the system and rage against the machine.

Going from the Defensive back to the Offensive

Realizing that they wouldn’t be safe and couldn’t keep trying to hide in Brazil, Kiyoko decides to take the team back to the US and, with the help of Shakti and their other friends who had remained in Baltimore, start trying to fight back in more tangible ways. Like I mentioned previously, this proactive and pragmatic approach was a welcome element to the novel and made reading book 3 flow very smoothly. It was very fun seeing how the team moved from place to place to avoid getting caught, thrilling when they almost did, but interesting to see what they succeeded in hacking and what they didn’t. The CEO that they fought against made for a very compelling enemy, and while we saw a bit of his perspective in book 2, we see a lot more in book 3 and we can really understand his motivations–Weber writes him as a very believable, evil CEO. The shared time between characters and pacing was also very well done.

Final Verdict: 9/10

After 2 books with the same characters they really grow on you, in an authentic way that makes you appreciate their growth and how they’ve changed from book 1. Weber has an excellent command of writing a diverse, varied set of characters. Both Waylee and Kiyoko grow the most in the novel, along with Charles and Pel. Book 3 also has a lot of that journalistic espionage, along with a more national and widespread feel to it. I really enjoyed reading how Kiyoko and Waylee would find the weak points in their enemies politically, and ally with enemies of their enemies or get them to turn against each other in propaganda campaigns or simply clever leaking or embarrassment sting operations. Although this novel doesn’t have as much action as book 2 nor as many virtual battles as book 1, it’s still definitely Cyberpunk and a fitting finale to the Betterworld Saga. It also feels like a very clever novel in how the protagonists go about achieving their goals. So for this Cyberpunk Book Review I highly recommend it, and make sure you read this fun finale today!

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The Dawn of delivery drone 6-wheelers?

Is 2019 the year delivery drones will finally take off? Or at least, roll out (pun intended)?

After we saw Amazon’s flying drones capable of delivering parcels in the air, we now have a glimpse of what that might look like on land: cute autonomous 6-wheeler robots delivering food and possibly other small parcels to specified location. The idea was first started by Skype co-founders Ahti Heinla and Janus Friis back in 2014, when they founded the robotics firm called Starship Technologies (I know, we love the name too). In the UK you can already find these fun autonomous bots wheeling around Milton Keynes, fulfilling grocery deliveries. Just this week, Starship just announced a partnership with George Mason University to allow their robots to deliver food anywhere on campus as well.

And it’s not hard to understand the appeal. Not only do the robots look cool and futuristic, but it’s also very practical for those who are stuck in the library or on campus without much time to spare, or simply for those students who have the munchies and don’t want to venture far from their dorm room. In the age of Uber, why not have an app for food delivery to your door as well? Not to mention it’s 100% eco-friendly.

Not to be outdone, Amazon has created its own 6-wheeler system as well, called “scout”. Able to accommodate small and medium-sized parcels, scout would only work with Amazon Prime accounts, of course, and is currently still being tested at Washington State University. However, sources indicate it looks considerably less cute, and is surprisingly quite late to the party, all things considered.

Revolution in Progress as National Assembly Leader Proclaims Himself President

venezuela protests

This is truly a revolution of the people happening in real time.

Due to the hyperinflation, rampant homicides and countless food and medical shortages wracking the country, the 35-year-old head of the national assembly declared himself de-facto president on Wednesday, claiming the current president illegitimate due to the questionable nature of his electoral win last year. Guaido is trying to create a transitional government to help reshape Venezuela’s government, in the process painting himself a target as he attempts to save Venezuela from itself and Maduro.

Surprisingly, Donald Trump was the first to recognize the new leader, along with Mike Pence. Many other countries then followed suit, such as Brazil, Chile, Peru, Canada, Colombia, Argentina, and Western Europe. As a response, Maduro decided to cut ties with the US, giving US diplomats 72 hours to get out of Venezuela. However, the US secretary of state Mike Pompeo refuted the statement, claiming Maduro doesn’t have the authority to break diplomatic relations. Mexico and Bolivia, however, still support Maduro, along with Russia, China, and Cuba. Some are denouncing the interference from the US and other countries in Venezuela’s affairs.

Many are worried about a potential disaster if the military support Maduro instead of Guaido, such as civil war. Internet watchdogs have also noticed that Maduro seems to be limiting social media websites such as Facebook, Instagram and Twitter, in order to try to contain the rampant protests against his government.

Why are thousands and millions of people taking to the streets to protest Maduro’s government, you ask? Simply because after Maduro took power, Venezuela has become a country with rampant hyperinflation. Shortages for everything from food and medical supplies to basic necessities like toilet paper and diapers have crippled the entire country, along with the highest homicide rate in Latin America due to all the corruption. The ‘Maduro diet’ has led to hundreds of thousands starving, with some resorting to killing animals in zoos in order to eat, and many avoiding hospitals because the facilities are more disease-prone than simply staying at home.

As a result, three million Venezuelans have left the country since 2014 in a mass exodus.

This story is developing and is surely a turning point for the country, as leaders around the world are deciding which side to support. We have yet to see how this will affect the world stage, with countries taking different sides in the economic and humanitarian crisis.

Le Matos: Chronicles of the Wasteland

Le Matos: Chronicles of The Wasteland

Of all sounds that best fit Cyberpunk, I often find that the retro-80s roots and electronica of Synthwave are a snug fit. One great example of such an up-and-coming artistic group is that of Canadian band Le Matos.

Le Matos

Their music combines retro synthwave in a beautiful Canadian blend of Electronica. Inspired by the likes of Vangelis, John Carpenter, Tangerine Dream, and other 80s movie soundtrack composers, Le Matos was founded by Jean-Nicholas Leupi and Jean-Philippe Bernier in Montreal in 2007. The group released their first singles, 88mph and 58 minutes pour vivre, in a digital album labeled Coming Soon 2007-2011. The group then released a proper debut in 2013 called Join US, but the group didn’t become as well-known until the created the soundtrack (and subsequent remix) for the incredible independent film Turbo Kid. When the movie was presented at the Sitges International Festival of Fantastic Cinema in Catalunya, it won a best music award. They also released their single, No Tomorrow featuring Pawws, with a music video that also serves as a prequel to the film. Although the music video is really interesting and explains how Apple came to be where she was when she meets The Kid, I personally didn’t like Pawws’ vocal contribution to the song. It felt too bubble-gum peppy for me, although the electronic synths from Le Matos are good as ever.

Le Matos is still growing in the Synthwave sphere, where they have also created a song called Kiyoko that went to the credits scene of the fan-made live action tribute trailer called The Akira Project (http://www.akira-project.com/ )

Akira Project OST Le Matos Album Picture

While much of their music is excellent, my particular favorites of theirs are found in the 50-track album Chronicles of the Wasteland. I stumbled upon them via Pandora, which is great because it means that they’re gaining traction in streaming websites such as Pandora and also Spotify, in addition to traditional venues such as Soundcloud and Bandcamp.

The track that hooked me was the mellow beauty called “Like Faith or Some Shit”. I actually listened to their tunes before I had ever seen Turbo Kid, and as I listened to their tracks on repeat via Soundcloud I pictured myself in the wastelands of Blade Runner or behind a tinted glass with loglo outside being driven somewhere clandestine in the rain.

Le Matos is slang for “equipment” in French, and although all members come from the hardcore scene, they are described as straight edge (no drugs and no alcohol).

If you haven’t already, or even if you have, I recommend checking out Turbo Kid again.

Turbo_Kid_poster

I’m not sure if it would qualify as Cyberpunk or not (I’m leaning towards Dystopian future with a couple cyberpunk elements in it) but it’s an excellent fun film, made particularly memorable by the quirkiness of Apple, the silly over the top gore and excellent costumes, and the unusual yet familiar storyline. What’s more, you can enjoy the film that much more if you pay special attention to the soundtrack. This is one way you can revisit old movies, after having listened closely to the soundtrack independently from the film and then upon seeing the film again you get a better appreciation for the whole product.

Listen to the full album on Soundcloud here: https://soundcloud.com/lematos/sets/chronicles-of-the-wasteland-1

For Le Matos’ website, check them out here: http://www.lematos.com/

Ready Player One (2018): Movie Review

Ever since I read Ernest Cline’s excellent book by the same name, I had been so excited to see this movie ever since I saw its first trailer in the movie theaters. Ready Player One was the kind of book that I finished in a couple weeks, couldn’t put down, and found myself saying “Man, this would be an amazing movie!” as I read it.

So here’s my SPOILER-FREE review of the movie, and some thoughts about how it was different from the book.

First off, let me say that I really enjoyed the movie. Perhaps part of the reason why I really liked it is because it’s different enough from the book, that watching the movie felt like a different piece of entertainment altogether. Sure, the story was still basically the same, but a lot of the action sequences were completely different, leaving me to guess and experience the same surprise and thrill as the rest of the crowd.

A little about the story, in case you have no idea what it’s about. The basic premise is that this movie is about a young man who’s searching for a hidden “easter egg” (read: treasure) within a virtual reality world that serves as place of commerce and entertainment for the majority of human civilization in the future. Although it takes place in a dystopian future, there isn’t much in the movie that addresses that, neither was there in the book. The virtual world, conveniently called the OASIS, is a place to escape the real world and both works leave it at that. The real story comes in the chase for the treasure, as both forces of good and evil race against time to get the hidden egg before the other. In the movie Steven Spielberg masterfully crafts his characters, although they do feel a bit simplistic at times, as if the target audience is primarily young adults.

Which makes sense. After all, the book also felt like a fun bubble-gum kind of story, with little suffering or grit or real violence. This is also mirrored in Cline’s irreverent, lackadaisical writing style.

The other thing that is quick to notice, and the media will also be quick to point out, is how chock-full the movie is in references. From Jurassic Park to Back to the Future, the movie adds to the 80s references with more modern, often video game, references like Halo or Overwatch.

It was definitely fun to see these references pulled out in the movie, sometimes literally from thin air (such as a weapon from one of your favorite video games you’ve spent hours using and picking up suddenly appear on-screen in the main character’s hands). I also thought the direction was very well done, with the camera swiveling to catch fluid actions and angles of the action, especially in the virtual world’s action scenes.

The transitions from virtual to real also felt very fluid, and overall the pacing was excellent as well. There were a few scenes that I felt needed a bit more gravitas, but this didn’t stop me from enjoying the movie.

Overall it was a very fun movie, highly enjoyable if you don’t take it too seriously, and an excellent adaptation. My final verdict: 9/10.

Juno Reactor: My favorite Cyberpunk Jam

I discovered Juno Reactor, along with a lot of my favorite music, by listening to the original soundtracks and scores to the Matrix trilogy. Along with Fluke and Rob Dougan, Juno Reactor is an excellent musical performing group that are very much electronica, considered in the subcategory GOA trance or psytrance. Although I’m not a fan of all of their material, their album Beyond the Infinte (1995) has an excellent list of tracks. You can check out the full album in the link below on Soundcloud. Let me know what you think, and enjoy!

[soundcloud url=”https://api.soundcloud.com/playlists/36906372″ params=”color=#ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true” width=”100%” height=”300″ iframe=”true” /]

Driverless Uber car results in first death

“Are driverless cars safe? Uber fatality raises questions”

This is the headline of the article and question that CNET asks. With a driverless Uber hitting and killing someone walking along the side of the street, the police now have to decide who is at fault: The pedestrian, the driver, or the robot/AI technology?

I think this will be the litmus test for whether the technology can survive or grow in the future. If I had to guess, I would say while this is a technology milestone and it’s never really happened before, the growth into driverless cars is unavoidable. I remember seeing this idea first addressed in the I, Robot movie with Will Smith. As his character takes over the wheel of his Audi, he later has an unavoidable crash (it’s bound to happen if countless robots are jumping on your hood trying to kill you) but after the crash, his police team want to blame him for taking off the auto-drive function and supposedly being the reason for the crash itself. So in the future, will we be pressured not to take the car off automatic, not to drive it ourselves?

Image result for i robot car

Personally, I still think driverless cars will be safer than cars with drivers. Sure there will be fatalities, but it’s unrealistic to think that any kind of driving can be victimless and perfect, considering how many roads we have and how many cars are on those roads at any given time. Perhaps what scares people more is the illusion of being in control of whether or not they get hurt or hurt someone else. But is that any different from getting hurt in a train, plane, bus, or ship?

You can read more about the CNET article here:

https://www.cnet.com/news/uber-self-driving-car-fatality-in-arizona-has-people-asking-how-safe-are-driverless-cars/

 

Thoughts on Deus Ex: Human Revolution

I tried playing this game before but simply couldn’t get into it with the difficulty in getting to some places, the emphasis on stealth, and the myriad of side quests that slowed down the story. Since my recent discovery of the amazing genre of cyberpunk, I decided to give it a go (I was able to get Deus Ex Human Revolution used for $2.50 and its sequel, Mankind Divided, for 12.50 from Game Stop!) I really like the game now, although I wish I could truly power through it as a shooter only, and not always need to rely on stealth. Shooting and destroying things is a lot of fun for me, more so than always trying to stay out of the line of sight of guards. I will say that I really enjoy the psychological profiles you get to try to figure out of the NPCs in the game, in order to activate speech options and make each encounter as successful as possible. I also very much like the possibility of choice in the game, and the sets (especially when you go to the Chinese area). But why does everything have to be so orange all the time? Most items are outlined in orange, vision through walls is orange, all lights are orange. I feel like this game could have had a lot more potential if it weren’t so monochromatic. Nonetheless, it’s still an excellent game. I love the voice actors and the music.

Neon Dystopia

Neon Dystopia is my favorite Cyberpunk website, and I can’t recommend it enough. With countless in-depth pieces about everything cyberpunk, they chose to break down their content into the following categories: Movies & Anime, Music, Games, Fashion & Lifestyle, Books & Fiction, Technology, Politics and Philosophy, and Art & Photography.

They will often discuss news related to up and coming movies, anime, games, or books, providing reviews of the most famous and popular ones. They also share their favorite art and music in the Cyberpunk genre, as well as their thoughts on topics in the news that fall under politics or technology. Finally, the website wouldn’t be complete with a philosophy section to discuss the different philosophical themes that recur in the many different Cyberpunk Media out there.

In addition to all of their blog posts, they also have a Cyberpunk Catalog where you can find different movies and books in the Cyberpunk genre to see at your leisure. They usually only provide a link to where you can buy the media online, however, without much of a description of the media itself. The database they have is incredibly vast, but not very deep, so you’ll have to do the digging yourself. But that’s part of the fun, isn’t it? To discover what you like and don’t like yourself.

Check out their website here: https://www.neondystopia.com/

5th package explosion in Texas reminds of a black mirror episode of technology misused by humanity.

Starting March 2nd, a series of packages containing bombs have been going off in Texas. So far it has killed 2 people and injured several others, the first three bombs being packages delivered to people’s doors, the 4th being a tripwire on the sidewalk, and the 5th one going off in a fedex factory. Since writing this story, however, I’ve seen on the news that the police were able to find a suspect, and on pursuing the suspect (a 23 year old white male), he decided to blow himself up in his car.

Doesn’t this feel like made-for-television news? Its seems like there’s been a lot of that going around these days. I can’t imagine how the people of Austin Texas must have felt scared and worried to simply order something on Amazon or receive a package. It’s easy enough to hold off on ordering a package until the perpetrator is apprehended, but how about employees of companies who have to order packages as part of their business?

Package delivery is a relatively simple idea, but this fits the theme of Cyberpunk by virtue of it being a simple, harmless technology (online delivery) being misused fwith fatal consequences.

It’s not hard to extrapolate this a little further. Imagine if this happened with Amazon’s drone delivery service. Bombs sent flying via drones to your backyard or doorstep. Truly a hellish idea indeed. This reminds me of an episode I saw recently on Black Mirror, called hated by the nation. In it the bees are dying out, so a company creates a network of robot bees to pollinate the flowers artificially and thus avoid a food catastrophe. Needless to say, someone misuses the bees with similarly fatal consequences.

But it seems to me that misusing something’s original purpose in dangerous means might perhaps go back as old as time, when cavemen fought each other using innocent rocks lying on the ground. Is this really any different? Perhaps the thing that alarms us is not feeling in control, and not being used to seeing the postal service being misused in this way. Although we’ve seen Anthrax be used in mail before, so perhaps this isn’t truly so new.

What are your thoughts? Comments always appreciated below.