A Series of Animated Shorts

The latest Cyberpunk series, Love, Death & Robots, is finally out! Or rather, the latest sci-fi/fantasy animated short anthology is out.

Love, Death & Robots is a wonderful combination of short films loosely connected around the theme of the title, combining visually stunning stories from some deep concepts to ridiculous tales of sentient yoghurt.

No, I’m not kidding. It’s episode 6 and is called “When the Yoghurt Took Over”.

With 18 episodes in total running between 6 minutes and 17 minutes each, there are only five stories that could truly be considered “Cyberpunk”, with a few others similar in style and the rest simply unrelated. I’ll be covering these

1. Sonnie’s Edge: An Instant Cyberpunk Classic

A well-delivered tale in an interesting world, Sonnie’s Edge reminded me of Pacific Rim meets Altered Carbon a la death-cage-match. Visually stunning, this first episode set the bar too high for me, resulting in my disappointment that (practically) no other episode could compete in quality and themes touched upon. It has the Cyberpunk visuals, the Punk vibe, Cybernetics and Sexuality to make it excellent. I’ve purposely decided not to share the premise, since it does a great job world-building and part of the fun is finding out how the world works.

2. Suits

The second Cyberpunk-like tale is Suits, and tells the tale of a community of farmers from the southern US that need to protect their turf against alien creatures that threaten to invade their land and destroy their crops. It’s basically what would happen if the deep south had to contend with alien wolves attacking their farms, but instead of guns, they were equipped with lasers, mech suits and overpowered artillery. A lot of fun, and a heart-warming tale of killing and community.

3. Aquilus Rift

The next Cyberpunk tale, Beyond the Aquilus Rift, is more Pseudo-cyberpunk and feels more like a tale of “Aliens” if you added a layer of fractured reality. It involves a ship’s crew who begin a routine deep-freeze to travel a long distance through space, only to end up widely off-course upon their awakening. This episode felt more like a Black-Mirror type animated short, with a tale that starts off well enough but slowly gets worse and worse as the episode continues. Great story-telling and visual effects again, but personally not my cup of tea.

4. Zima Blue

Zima Blue was my favorite episode of the entire first season of Love, Death & Robots. Its premise is simple: a reporter is invited to interview a famous artist who is about to reveal his latest piece of work. Although a lot more animated cartoon than digital CGI (it felt reminiscent of Samurai Jack in terms of sharp ages and defined exaggerated features full of vibrant colors and beautiful shapes), the short tale comes full circle in a way that surprised me in the end, and although devoid of action or any fast pacing, replaces it again with a tranquil simplicity in the metaphor it tells of life. Definitely the most profound episode for me, which is perhaps why it’s the one that left the most lasting impact.

5. Blind Spot

Finally, Blind Spot is the second perfect example of Cyberpunk, featuring a high-octane heist of punks trying to steal a valuable microchip from a convoy protected by robots. Another great set of visuals with a fun twist at the end, the artistic style of this episode reminded me more of Cartoon Network’s cartoons, and perhaps something that might show up on Toonami. No CGI digital effects here but also very stylistically different from Zima Blue. It’s a fun fast-paced tale with the right amounts of action and punk attitude.

Final Verdicts:

Overall Love, Death & Robots is a great series highly worth a couple of hours to watch. I would give Sonnie’s Edge 9/10, Suits 7/10, Beyond the Aquilus Rift 6.5/10 simply because I don’t like those kinds of stories as much, Zima Blue 9/10, and Blind Spot 8.5/10.

You can watch Love, Death & Robots streaming on Netflix.

 

Alita: Battle Angel is the latest blockbuster Cyberpunk movie to hit the theaters, and is based on a Manga of the same name, also called GUNNM, and was a project in the works from producer James Cameron (Titanic, Avatar) for over 10 years! He had to put the project on the backburner as he worked on many different films during that time, eventually handing off the directing duties to Robert Rodriguez (Sin City). After a long and laborious production involving a lot of cgi work and concept design, Alita was finally ready and its trailers started rolling out last February for a July release. However, its release date was pushed back to December, and then finally to February 14th in the US, with a later release slated for February 22nd for most of the Asian market.

Alita: Battle Angel follows the story of Alita, a cyborg with a human brain, who is found dismembered in a pile of rubbish by cyborg scientist Dr. Ido. Ido decides to give Alita a new robot body, and since she has no memories of who she is or what happened to her, Ido takes her in and gives her the name Alita after his own deceased daughter. Alita soon realizes that she has military instincts and training, and this leads her onto a path of discovery for who she is, as well as fighting the many injustices that she sees along the way. The story takes place in Iron City, a futuristic dystopian city filled with lawlessness and crime, which is located underneath the wealthy city of Zalem that floats above. Only the rich can live in Zalem, and most of the people who live below in Iron City dream to try to live up in the clouds one day too.

Because of the incredible visuals that James Cameron is known for (Avatar), and the cyberpunk elements of martial arts fighting (guns are outlawed in Iron City) and a wide array of cyborgs and cyber-enhancements, I was really looking forward to watching this movie. To prepare me for the movie and get acquainted with the material, I also watched the 1993 anime movie that was based off of the original manga, which I found to be excellent as well.

So after over a year of waiting, I was finally able to go see Alita: Battle Angel opening night last Wednesday, and wow, it definitely did not disappoint.

Sure enough, Alita’s visuals are stunning. I remember trying to soak in all the details in the first few frames as the viewer is introduced to Iron City in all its busy, gritty glory. Much to my surprise, the entire movie is surprisingly bright, especially compared to other cyberpunk films like Ghost in the Shell or The Matrix. This is because, at least at first, most of the film happens during the day since Ido warns Alita that she must be home by curfew because “the city is too dangerous at night”. As a result, the viewer is able to really take in all that is Iron City, which features a variety of people of all races and levels of cyber-enhancements, as well as a plethora of bright contrasting colors of storefronts and ads cobbled together in a style somewhat reminiscent to Blade Runner if it weren’t raining all the time and had clear bright skies.

A lot of people have complained, both from the trailers and from the movie itself, that Alita’s eyes are too big and distracting, creepy even. I personally did not feel this was true, and felt her eyes never distracted or detracted, especially considering the original manga had her with big eyes and that never bothered me either. Rosa Salazar does an excellent job here personifying Alita and working with the CGI rig to truly bring the character to life, and I’m glad she had James Cameron as producer on the project to make sure she had a good script to work with. Christoph Waltz also does an excellent job of playing Dr. Ido, with a very nice added nuance to his character instead of being a boring flat father figure. I was personally very excited to see Mahershala Ali play Vector, the crime boss of Iron City, especially because I’ve seen him do great work in Luke Cage and the visuals of his outfit and mirrorshades looked epic. Although he did a great job, especially personifying two people at times as an implant that allows communication from someone in Zalem occasionally takes over, I wish he had been given more time to do more with his character. Due to him alternating between the two characters, I felt his original character could have been more fleshed out.

The action is excellent, and not only does Alita have some impressive moves using martial arts fighting with her fights against a variety of cyborgs, but also the action in the Rollerball games, which is something that appeared in the manga but not in the adapted animated film. Rollerball feels like a combination of Mad Max and Speed Racer but using roller skates, it was very original and a lot of fun. And although Alita does seem overpowered in some scenes, in others one can see that she’s not only a good fighter, but a clever one, and that was really great to see as well.

There isn’t much I can think of to fault this movie. There is a very powerful scene near the end that connects with the audience emotionally, that was also featured in the film so I was prepared but also glad that they kept it in. The movie’s ending also felt like it could be enough to wrap up the movie, or serve as a proper lead to future sequels, which is why I’m hoping the movie will be successful enough to allow the sequels to happen. Since this movie was one of the last, if not the last, film produced by 20th Century Fox before they complete the process of being acquired by Disney, it remains to be seen how Disney decides to work with their newly acquired material. Although some have been worried about Disney potentially quashing creative freedoms, I feel that Disney’s done a good enough job with Marvel and Star Wars to deserve my trust.

The soundtrack also worked very well with this movie, and although this movie doesn’t wax very philosophical, there are a lot of powerful themes this movie touches on (such as issues of weath inequality, identity, corruption and morality), it does a solid job presenting them along with its excellent world-building and character development, which is no easy feat.

As a result, I give this movie a 9.5/10. It is definitely worth seeing, and for hardcore cyberpunk fans, I suspect this may be the beginning of a new trilogy that along with Netflix’s Altered Carbon may continue setting the standard for modern-day cyberpunk to come.

 

 

When I wrote in November  that Battle Angel: Alita was the next upcoming Cyberpunk film to watch out for, I wasn’t expecting to learn about another big Cyberpunk film that was flying under my radar a month later. But sure enough, here it is: Replicas is the newest new Cyberpunk film to look out for, releasing on the quickly approaching date of January 11th in the United States. An American film from Entertainment Studios, Replicas stars Cyberpunk legend Keanu Reeves, who helped with the production.

The story centers around the efforts of Neuroscientist William Foster to bring his wife and children back to life after they die in a terrible car crash. He tries to do so using cloning and digitizing their consciousnesses into robot bodies, something that is illegal and leads to him being pursued by the government, if the trailer is any indication.

There hasn’t been much news on this film yet, directed by Jeffrey Nachmanoff (writer for The Day After Tomorrow and The Tourist), and I’m trying to steer away from any reviews before I see it. But this film looks like it will be a fast-paced thriller and something will assuredly go wrong, as it always does in Cyberpunk tales. I’m excited to see Keanu Reeves in a Cyberpunk film again, since I’ve only been seeing him in various kinds of action flicks of late (John Wick, the Man of Tai Chi).

You can check out the trailer and see for yourself if this will be worth the watch here.

 

 

Alita, Battle Angel is an upcoming Cyberpunk movie from producer James Cameron and Jon Landau (Titanic), with director Robert Rodriguez (Sin City, From Dusk Until Dawn). The screenplay is written by Cameron and Laeta Kalogridis (Altered Carbon), and takes its source material from Yukito Kishiro’s manga Gunnm (Battle Angel Alita). You may have seen the trailer to this movie in the theaters earlier this summer, when it was supposed to be released in July. However, its release was delayed until December of 2018, and then sadly further delayed to February 14th, 2019. The exact reason of these delays in release are unclear, but it seems like it has to do with Cameron’s conflict working on his Avatar sequels (he’s filming Avatar 2 and 3 right now, set to release December 2020 and December 2021, respectively). The other reason is because Fox decided to push back its release in order to make way for Deadpool 2’s PG-release that conflicted with the same release date. Personally, I have been looking forward to this movie release for a long time, so I was very sad to hear that they pushed it back even further, especially considering Deadpool 2 has already been out for a while.

I had never heard of the manga Battle Angel Alita before, but I must say,  the trailer for the movie looks excellent and very promising. Alita is a film about a cyborg who awakens with no memory of her past or who she is, in a world she doesn’t recognize. A compassionate doctor and scientist takes her in and tries to shield her from her past. However, the world comes beckoning when it becomes apparent that she has unique fighting abilities that are deemed very valuable. Her subsequent actions lead her on an adventure of hope and empowerment as she tries to survive and find her place in this new world.

The cast includes Christoph Waltz as Dr. Dyson Ido, Alita’s character and apparent father figure, and Rosa Salazar (Divergent series, Maze Runner series) as the titular cyborg heroine, portraying Alita with motion capture technology. Mahershala Ali and Jennifer Connelly were also cast. There had been some controversy with the first trailer release, namely centering on the complaint that Alita’s eyes in the trailer seemed too big with the CGI effect, making her seem unrealistic and off. However, I saw no problem with them at all, as the eyes serve as a subtle reminder that Alita is not completely human.

Fast-paced action including CGI effects and impressive choreography and martial arts, existential questions on the blurred line between human and machine, this movie looks very promising indeed and has a lot of elements that remind me of my all-time favorite film, The Matrix. None of which is more apparent than the cyberpunk dystopian setting the film is placed in, and the epic mirrorshades actor Mahershala Ali sports in the trailer.

Check out these trailers and see what you think. The first is the initial trailer that caused the original controversy, the second is improved in my opinion and tells a bit more.

Trailer 1

Trailer 2

 

 

This movie came up on my radar about a month ago, thanks to Netflix’s advertising on their own website since it’s a Netflix original. Somehow I knew that I would like this movie, and had been eagerly awaiting its release. Well, folks, it finally came out yesterday, and I must say, it didn’t disappoint. Next Gen is a charming children’s cyberpunk tale about humanity and adolescence woven through the narrative of robots and machines.

The story is about a young girl called Mai who was part of a happy family until one day her father gets into an argument with her mother and decides to leave. This causes a lot of anger and angst in the young girl, who grows up to become a rebellious teen. Her mother decides to get a robot to fill the space that her father left, but this results in her mother loving robots while Mai despises them because of how they can never replace a proper human.

In case you’re worried this is ruining the movie, have no fear. Mai’s entire backstory is told wordlessly at the beginning of the movie alongside the movie credits, which was an interesting artistic touch but personally I’m never in favor of a movie needing to explain its world to you before it even starts. Some of my favorite movies have always been ones where they never held your hand or helped explain their world to you, where instead you as a viewer have to make it out as you go along.

Anyways, a friendless Mai meets a new robot, 7723, who might make her change her mind about the value of robots. Together they then band together to help save the world from a nefarious plot that I will not reveal, but being a true cyberpunk movie, you can probably guess what might happen well into the movie.

I personally loved this movie. There is a good amount of action, and the direction and scenes are incredibly creative and felt akin to the visuals I might see in a high-quality anime or intense big-budget video game.

The soundtrack was quite good, the characters were believable and relatable (especially Mai), and the visuals were beautiful as well.

Considering that this is a children’s movie and I wasn’t their target audience, I thought it was still a very enjoyable movie. I look forward to more cyberpunk movies like it, especially because for me, the cyberpunk tropes can get a bit too violent (like Altered Carbon), too slow (like Blade Runner), or too dark and depressing (like Black Mirror). To watch a neon high-tech movie where humanity is slipping away with an excess of robots in their false utopia was highly refreshing when considering how light and fun all the robots were. For instance, the robot toothbrush fighting to get into Mai’s mouth so it could fight her tartar was a laugh-out-loud fun moment. You don’t get a lot of those these days with Cyberpunk.

In summation, I would give this movie a 10/10 taken as it is, unless you don’t like kids movies or expect to have your mind blown, in which case it’s probably not for you. I can’t seem to find any faults in it really.

Let me know what you think below!

 

I was introduced to Akira relatively late, and the same could be said of when I watched Blade Runner for the first time. Both were ground-breaking, inspirational pieces of art, that wowed the viewers at the time but in my opinion haven’t aged particularly well if you’re seeing it for the first time.

Nonetheless, it’s fun to see how these older pieces of entertainment have inspired the works that are coming out nowadays. It inspired one of the main characters in the Duffer Brothers’ Netflix original, Stranger Things. It inspired director Rian Johnson (The Last Jedi)’s characters in his movie Looper as well. It also was used to show the vision for the Matrix Trilogy by the Wachowski brothers.

Ironically, Akira was itself inspired from some of the visuals in Blade Runner itself.

So how is Akira doing nowadays? Warner Brothers have been trying to make a live action film of it for over a decade, but many fans are worried such a remake will ruin the film, especially after a lot of criticism of whitewashing came from WB’s choice to cast Scarlett Johannsen as Major in their Ghost in the Shell live-action film.

So nothing official is in the works yet, but I would love to see a live action film of Akira obviously. I also thought, along with many Japanese people apparently, that the casting of GitS wasn’t a big deal.

For now, I guess I’ll have to content myself with this fan-made live-action trailer of what that film could look like.

For more on the legacy of Akira, and the sources of this article, click here.

 

For a more in-depth movie review, I highly recommend Neon Dystopia’s excellent Blame! review, but in my opinion this review is best read after watching the movie, since it describes all the acts of the movie and contains a bit of broad spoilers. For a spoiler-free review with the impressions from yours truly, please read on!

Blame! is set in a dystopian future where nature is a thing of the past, and the world is now consumed by an endless stretch of metal city, going on as far as the eye can see. A small human village is the last visible remains of humanity, scouring for food and trying to survive the attacks of the city’s robotic safeguard, who see the humans as illegal residents.

In comes the character Killy, who is looking for something and decides to briefly help the humans as he continues on his quest. The rest of the movie involves the humans working with Killy and another character, Cibo, in surviving the robot world and figuring out what happened to make the world the way it is.

In the first few minutes of the movie, I was immediately reminded of scenes from the Matrix and Animatrix. The vast open industrial fields, devoid of any plant life or non-artificial life, were very similar although different. Also, the watchtowers that the humans had to hide from, felt very similar to hiding from the watchful eye of the Squids in the Matrix, and the exterminators also felt similar even though they were not airborne.

The soundtrack to this movie does little to add or enhance the movie, which seems content on delivering the story and scenes by themselves. I should also add that the soundtrack is appropriately Japanese in sound, with the dramatic vocals and Asian-sounding stringed instruments.

Where Blame! truly shines, however, are in the action scenes and the visuals of the setting. The plot runs at a steady pace with the right amount of suspense, as the viewer is constantly scared that this last vestige of humanity might be wiped out or seen by the deadly machines chasing them. It also masterfully keeps the viewer in the dark, and very little is formally explained to the viewer as they try to discover, along with the main characters of the story, how the world came to be the way it is.

The action scenes contain a bit of CGI, but are masterfully interwoven with the anime in true action-packed anime form.

I only had a couple issues with this great movie. The first, was that the dialogue felt very basic and at times outright painful with its simplicity. Killy is a master at silence, brooding, and looking cool while not caring what others think of him. The humans seem to be very simple in their thought process, and take a while to come to conclusions that the viewer may have already realized from scene to scene. This, however, is a complaint that I already have with most anime, so maybe it’s just me.

The other issue I have with the movie is that although the pacing is great in general, sometimes the movie trips on itself in situations where they are running away from a pursuing enemy in one scene, and then all of a sudden stop to have a chat in the middle of what should be a fast-paced escape. This could have been remedied by having them talk while moving, or just limiting the at times asinine dialogues they have with each other completely.

Aside from these two minor things, however, the movie is a delight for those who enjoy seeing a rich dystopian world, fast paced action, and a quick plot rich in suspense and mystery. Overall I would give it a solid 9/10.

 

The ones that started it all. My love and obsession for Cyberpunk began with the incredible Matrix Trilogy. But why was it so good? How did it have so much of an impact? I will be going in depth to explain my complete adoration for this trilogy, (specifically, the first two) but I am keeping all three together in this review, with an obvious 10/10. I will try to be objective, but here’s my completely biased review of The Matrix Trilogy.

The less you know about the Matrix, the better it is when you watch it, but for the sake of this review I’ll have to spoil a little. I definitely recommend watching them in order, however, as I watched Matrix Reloaded (the 2nd one) before the original Matrix and was very confused. Even watching it in order can get pretty confusing at times.

The Matrix is set in two different times: The first, which you are introduced to, is set in New York in the year 1999. The Second, which you are shown later, is set in the future in 2149. The story follows the journey of a Mr. Thomas Anderson, a software company employee by day and a black-market hacker by night. He wants to find out what The Matrix is, and soon enough he meets someone named Morpheus who is willing to give him the answer, even if it’s more than he ever expected.

Read on for spoilers of the next two movies. The next line you see will be a general review of the themes and elements of all 3 movies, without spoilers.

 

 

---

 

The reason why I am taking extra measures to provide a limit to the spoilers you read here is because of just how good it is for you to discover what the matrix is in the way that the movie delivers the answers. This is one of the reasons why I like this trilogy so much, especially the first and second one: they take their time in providing you the answers, and you can’t help getting pulled into the story and wanting to know what the matrix is as well, along with the main character. The story pulls you in for an incredible ride.

Mr. Anderson discovers that the Matrix is a virtual reality system that almost all humans are a part of, unwittingly, which was built by machines as a system of control so that the machines can grow and harvest humans like cattle in order to live off of their bioelectrical energy. The machines decided humans would be the best source of energy, but to keep them alive, they need to be complacent, and this is why they are all connected via wires into the Matrix, where they can live a dream world and dream life.

In this movie, Thomas Anderson, AKA Neo, must follow a preordained path of the One, which Morpheus has been told through the help of someone called the Oracle. If you’re getting lots of religious undertones here, that’s quite intentional. Most of the first movie involves Neo discovering what The Matrix is, and trying to come to terms with being The One who has to save all mankind from their slavery in the hands of the machines.

In the second movie, Neo has accepted his role as the one, and the majority of the film revolves around him getting to “the source” in order to save the last human city of Zion and complete the prophecy as foretold by the Oracle.

In the final movie, Zion is under attack by the machines, and Neo is caught in the Matrix. He must first leave the matrix, and then attempt one last effort to reach through to the machines to again save Zion from the machines. This also involves facing his arch-nemesis Smith.

 

---

 

 

Alright, spoilers are done! Now to talk about some of the elements that make these movies so great.

The Matrix movies are great because they appeal to a wide audience. They have a lot of action, including car chase scenes, shootouts, sword fighting, and Kung-Fu (legendary Martial Arts Choreographer Yuen Woo-Ping was hired for the action scenes. If you watch Crouching Tiger Hidden Dragon, or Kung-Fu Hustle, you’ll recognize his fun wire-action style). It involves a bit of romance, although the romance present in the movies are pretty limited. It involves mystery, suspense, and a lot of thriller elements regarding the almost all-powerful machines and their counterpart agents in The Matrix. But finally, there is a lot of mysticism and Philosophy interwoven in the Matrix. And this last point is ultimately why I think The Matrix stands above most other movies. If you don’t like movies that make you think and ask questions about your reality, then perhaps a brain-dead movie of gratuitous action like The Expendables might be better for you. But if you want a movie that will free and blow your mind at the same time, then the Matrix is perfect.

There are many different themes that the movies play with. Here are some of the major ones.

1. The nature of reality.

“What is real? How do you define real? If you’re talking about what you can feel, what you can smell, what you can taste and see, then real is simply electrical signals interpreted by your brain.” –Morpheus

Due to what the Matrix is, a big part of the movie revolves around what counts as reality. Some consider the Matrix as one big lie, a dream that can’t be woken up from, infringing on our basic rights of choice and free will. Others think that the Matrix is better than actual reality, and therefore that ignorance is bliss, and the Matrix is a better reality than the alternative.

Whatever you decide, it’s a fun question to ask.

2.  Fate vs. Free will.

Morpheus: Do you believe in Fate, Neo?

Neo: No.

Morpheus: Why not?

Neo: Because I don’t like the idea that I’m not in control of my life.

Are we in control of our lives, or have the decisions all been decided for us already? Because of the reliance on the Oracle to tell the humans what to do next, including the prophecy and fulfilling it, fate vs. free will has a big role in these movies. Morpheus, Neo, Agent Smith, The Oracle, The Architect, the Merovingian, these are all big characters in the movies that have their own thoughts on the subject, which they beautifully articulate in well-written dialogue pieces throughout the trilogy.

In addition to these two big themes is a lot of symbolism. You’ll notice already the heavy-laden meaning behind names such as Neo (new), the One (Anagram of Neo, relating to a messiah from multiple religious texts, in particular Christianity), and Morpheus (interpreter of dreams for the gods in Greek mythology). There’s also the crew’s ship, the Nebuchadnezzar, (the old biblical king), as well as Trinity, referring to the holy trinity and Neo’s love interest.

Another interesting thing to note is the preparation the actors had to do before even reading the script. Apparently, actors like Keanu Reeves and Lawrence Fishburne had to read three lofty texts: Evolutionary Psychology, Simulation and Simulacra (Modern French Philosophy on the nature of reality), and Out of Control, a predictive text on machines and control looking to the future as a cautionary tale.

Phew! So far we’ve covered the setting and basic premises of the movies, and the symbolism, philosophy, and genre-bending aspects of the movies. Now it’s time to talk about the special effects, the direction, and the soundtrack.

The special effects in 1999 were groundbreaking in and of itself. Something called “bullet time” became a household word, due to the scene where Neo is able to dodge bullets. In order to pull this off (again, this had never been done in this way before at the time), the special effects team set up a series of cameras surrounding the subject set up based on a simulation in order to take pictures in succession of something still or moving, in order to have a freeze-time or slow-motion effect while moving around the object around the same time.

This began a new method of film-making that affected TV commercials, movies, TV series, and video-games, all adopting the popular special effect. Adding onto the incredible scenes from the original Matrix movie, Matrix Reloaded added an element of fluid CGI movements in addition to the live-action actors and special effects, most notably in the scene called Burly Brawl that almost seems ripped out of an anime movie or a modern-day video game.

The incredible direction of the Wachowskis was crucial as well. Apparently they were very inspired by the bio-punk cyberpunk anime movie Akira (1988), and in fact used the anime as a way to explain their vision to Warner Brothers as a way to pitch their movie. They also hired people to draw storyboards of the scenes they had envisioned in their head, also very rich in special effects inspired from Akira or the Ghost in the Shell series. Usually a writer or director simply explains an idea with words, or maybe a few pictures. The Wachowskis had an entire comic made as a storyboard to show what they envisioned. That’s saying a lot.

The Warner Brothers took a gamble in funding this high-cost film, but it obviously paid off big time. The Wachowskis never thought they’d be able to make a sequel, but when they were told the producers wanted a trilogy, they decided to make Reloaded (#2) and Revolutions (#3) at the same time, both released the same year in 2003. With a budget of $63 million for the first Matrix, it raked in $463 million at the box office. The subsequent movies, Reloaded and Revolutions, cost $150 million and $110 million, and took in $742 million and $427 million, respectively.

Finally, we arrive at the soundtrack. I personally fell in love with most of the artists that collaborated on this phenomenal soundtrack, the main one being Don Davis. Davis focused on an orchestral score, classical in nature but grand as the movie deserved, for the first film. This was paired with music from other artists, such as The Prodigy, Rob Dougan, Rob Zombie, Marilyn Manson, and Rage Against the Machine.

The second movie, Reloaded, was able to fuse more electronic artists into the style, and less of the hard rock and punk rock artists. Don Davis also collaborated with Juno Reactor and Rob Dougan to create some great musical pieces. Another noteworthy mention is Fluke, whose song Zion (which is the last human city Neo is trying to protect) is played while the entire human collective rocks out in one last dance party the night before their battle with the machines.

There are just so many things that came together right in these movies, too many things to mention, but the incredible vision that the Wachowski brothers (now sisters) had is just mind-boggling, and I personally love the green-tinted virtual reality where anything can happen, as well as the nightmarish dystopian blue-tinted reality of Machines controlling the world and enslaving humanity. These films are simply very rich with all kinds of things.

So if you like Cyberpunk, Kung-Fu, Virtual Reality, Questioning Reality, Symbolism, Philosophy, Car chases and slow motion and Blade fights and fast-paced orchestral music with drums beating and electronic symphonies, then these films are for you. 🙂

Favorite trilogy ever. 10+/10.