Altered Carbon Season 2: Final Trailer and Release Date!

Altered Carbon is Back!

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Well, the wait has finally paid off, folks–Altered Carbon Season 2 is finally almost here! The release date has been announced for February 27th, and all eight episodes for season 2 will drop at the same time in true Netflix fashion. Make sure to keep your calendars open!

Teaser Trailer

Last week on February 4th we were blessed with a new teaser trailer for the new season, which you should check out below!

As you can see there’s a lot to unpack here. You can bet that the first time I saw this teaser trailer I paused the trailer ad nauseum to take in what each still in the trailer was telling us. We hear Anthony Mackie say the following:

“This is a ghost story. Technology has conquered death. But with endless future comes endless past. We are trailed by specters. They cling to us like shadows. But if you chase after your ghost, you just might become one.”–Takeshi Kovacs

What to Expect

In the teaser trailer we definitely see what appears to be preserved ruins of Martian bodies, which would definitely be from book 2 of the Takeshi Kovacs trilogy, Broken Angels (for a primer on what happened in that novel, check out my review). We see more little scenes of what looks like Kovacs’ childhood, as well as his connections to Quellcrist Falconer, which is examined considerably in book 3, Woken Furies (which you can also read my review for here). We also see a ship exploding, which could be the one used to go through the portal in book 2, as well as Kovacs fighting an unclear group, and Kovacs in a new sleeve where he can summon handguns to his hands.

Clues from Episode Titles

We also know the names for all eight episodes, which are below:

Ep 201 “Phantom Lady” – written by Laeta Kalogridis, directed by Ciaran Donnelly

Ep 202 “Payment Deferred” – written by Sarah Nicole James, directed by Ciaran Donnelly

Ep 203 “Nightmare Alley” – written by Michael R. Perry, directed by MJ Bassett

Ep 204 “Shadow of a Doubt” – written by Sang Kyu Kim, directed by MJ Bassett

Ep 205 “I Wake up Screaming” – written by Cortney Norris, directed by Jeremy Webb

Ep 206 “Bury Me Dead” – written by Adam Lash & Cori Uchida, directed by Jeremy Webb

Ep 207 “Experiment Perilous” – written by Nevin Densham, directed by Salli Richardson-Whitfield

Ep 208 “Broken Angels” – written by Alison Schapker & Elizabeth Padden, directed by Salli Richardson-Whitfield

Because of the strong emphasis Season 1 and the trailer has put on Falconer, and the fact that it would be prohibitively expensive to shoot the whole season on Mars or in space, I suspect Season 2 will be taking parts of book 2 (the Martian ruins, Carerra’s Wedge, and Col. Ivan Carerra) and adding them to the plot of book 3 (finding Falconer again). Oh, and it’s set on Harlan’s World, with one main character being Danica Harlan, and that’s definitely from book 3 as well.

The fact that the last episode is called the name of book 2 is very interesting, however. The angels in question referred to spirits of the dead or gone Martians, so I wonder if that will play any part in that final episode.

A New Instagram Grid for a New Season

At around the same time the official Altered Carbon Instagram was scrubbed and refitted with promotional pictures on their grid. Just look at this beauty.

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Altered Carbon Season 2: The Main Trailer

On February 12th, about two weeks before the release of Season Two, we FINALLY got a complete trailer that dropped on YouTube. Let’s check it out below.

So one of the first things I really enjoyed seeing right off the bat was the sky above Harlan’s World. You see, Harlan’s World is where Kovacs was born and raised, where he spent his misfit youth before he joined different military outfits. On this planet, Martians left behind an array of satellites that will automatically shoot lasers to vaporize anything that goes too high in orbit over the world. As a result, it’s very difficult to get anything onto the world from space. The only way to do so is to slip in through small cracks in the defensive satellite network. No one knows why the Martians left them behind or what they were for, all they know is that they’re there and they are still operational.

Harlan’s World and the Satellites of Death

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In one of the first shots of this trailer, we can finally see how Kalogridis envisioned this satellite network of death, here dealing shots of blue lasers.

Your Resleeving is Now Complete

Anthony Mackie as Takeshi Kovacs in Altered Carbon

Mackie’s resleeving this time also looks a lot smoother than Joel Kinnaman’s resleeving. Here we get to know all the cool new military features Mackie’s sleeve will have.

Kumalo Bioware

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In the trailer Poe asks Kovacs what compelled him to return to Harlan’s World, a place he swore he would never return. He seems to respond “I’m still looking for her, and I can’t walk away.” This suggests that he came to Harlan’s World by choice this time.

Another difference here is that it looks like Kovacs will find Falconer, in her original sleeve, here on Harlan’s World. This is very different than in the book, where she was found only in digital form. Unless if in fact what we are seeing is in virtual space?

Colonel Ivan Carrera and Carrera’s Wedge

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We then see Danica Harlan ordering Col. Carrera to find and kill what I’m guessing is Kovacs and Falconer together. This would make sense, since Quell was trying to lead a rebellion against the Harlan family, and perhaps still is here in Season 2. We also hear “the whole planet is going to be hunting you” because, well, it’s literally Harlan’s World.

We are Trailed by Specters. They Cling to Us Like Shadows

Then, at 1:58, we get a very exciting view of…Will Yun Lee as the original Takeshi Kovacs! This refers directly to what happens in book 3, which I won’t spoil if you haven’t read it, but it’s very important indeed.

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So after this trailer I think I have a good idea of what to expect from Season 2. The beginning premise might not be as exciting as season 1, but once you discover the twist, it might become a lot more interesting.

What were your impressions on the Season 2 trailer? Comment below!

 

Review: Ghost in the Shell (2017)

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The Premise

Ghost in the shell is directed by Rupert Sanders (Snow White and the Huntsman) and based On Masamune Shirow’s anime by the same name. It stars Scarlett Johansson as the main character of The Major (Motoko Kusanagi), along with Takeshi Kitano (Chief Aramaki), Michael Pitt (Kuze), Pilou Asbaek (Batou), Chin Han (Togusa), and Juliette Binoche (Doctor Ouelet). Set in the future in Japan, The Major is part of an anti-terrorist bureau called Section 9 that is tasked with investigating a Cyber-terrorist called Kuze, while discovering her own origins at the same time. The Major is also a Cyborg Super-soldier, more machine than human, and grapples with her own human-machine identity.

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Starting us off

The movie starts with a beautiful introduction, providing the credits as Major’s synthetic body, her shell, is being created. This is very similar to the introductory scene in the 1995 anime, but in my opinion, Clint Mansell’s soundtrack is a lot nicer. Although a lot of people love the music of the original anime introduction, to me, the chanting voices always were rather jarring. Mansell’s light semi-electronic notes wafting slowly throughout the sequence provides an almost mystical, alluring atmosphere.

The movie suffers again from needless exposition by explaining what Hanka Robotics is and what kind of world this is. Perhaps this was done to make the movie more palatable to a wider range of audiences, but they really would have made the movie better without it.

Visually Stunning–How a Cyberpunk City Should Be

The first real scene, after Major’s awakening, is the first sign of how gorgeous this film will be. This scene feels like a proper tribute to what a cyberpunk megapolis should be, made in a modern style without an excess of digital effects. To be honest, ever since I saw this movie in theaters, the image that comes to mind of a Cyberpunk city is always this city, this world.

GitS City

Yep. Cyberpunk.

Taking it all in

Upon re-watching this movie, there’s a certain beauty in simple scenes that aren’t immediately apparent. Like Batou feeding the stray dogs, including the basset hounds that are a trademark of the original Ghost in the Shell anime. Or the scene right before when he gets the bones for the dogs, where we see what street markets look like, with all the basic meat vendors casually sporting enhancements including entire android arms like it’s nothing.

The last time I saw so many casually augmented people in an urban city was in Alita: Battle Angel, and it’s incredible to see all the diversity. I literally have to pause the scenes to take in everything I’m seeing.

GitS Section 9

Part-Tactical Spec-Ops, Part Reflection on Humanity

Another excellent part of the movie is the tactical nature of the film, in addition to the self-reflecting nature of the film. We often see Section 9 moving as a unit, working and planning together. Aerial shots of them closing on locations make this that much more fun and palpable.

Motoko (Major) is trying to figure out what makes her human, or machine, or whatever she is in between. You can see this as she studies a human prostitute with wonder, and as she looks at geisha bots with scorn, wondering how she is any different. She seems to consider herself unworthy of human value in the same way that her fellow humans are–because she is just a machine, and perhaps also just a weapon, what she thinks and feels has no importance. At least, at first she seems to think this. She then begins to question it, the more she tries to find this Kuze character who seems somehow familiar, while trying to stop his terrorist actions of hacks and manipulation and killing.

Motoko and Kuze

There is a particularly potent scene that displays this as she comes face to face with Kuze. For the first time, we see what’s underneath her skin–her metal shell. It’s easy to see how she grapples with who she is, made even more so once she goes back to the person that had always been the closest to her mother–Doctor Ouelet. When she learns the truth of her past, the audience can feel and see how truly alone she feels. That her once-enemy, who granted is morally bankrupt, is the closest she has to what resembles a brother.

This then leads to another great scene–the harbor scene, where major looks for answers in the underwater depths, surrounded by darkness and perpetual blissful silence. We also get some more great shots of the city in the distance.

Batou

I’ve always loved Batou, but Pilou Asbaek’s performance here as the resigned, kind, understanding team partner really shines. I love his slow, almost drunkenly deliberate movements, as he’s trying to understand what his friend is going through. The audience once again is treated to a beautiful dark cityscape behind the two on the little fishing boat.

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In general this is simply a beautiful film. There are scenes reminiscent of the Kowloon walled city in Hong Kong, like when she goes to visit a particular woman of interest. The giant superstructures are so iconic in Cyberpunk films, with beautiful circular shots looking up. Pausing in these scenes almost gave me the impression that I was watching  Inception. The Tron-like Motorcycles, the neon-lit highways, all are very iconically Cyberpunk.

In my opinion, the ending was very satisfying, although a little different from the Anime version. This is one of those movies where you really need a second viewing, or a third. But even after multiple viewings, it’s still a beautiful, enjoyable movie with a great soundtrack and solid plot.

Final Verdict: 9/10

Due to its beautiful cinematography, interesting characters, exciting action and tactical sequences, and excellent score, I give this movie a final score of 9/10. I would have liked to go a little deeper with the characters, to have them explore the human/cyborg element a little more than they did (and I know this is possible because it is done better in the anime). But other than this minor element, this film is excellent, and I highly recommend it.